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PREVIOUSLY ON LOVE and HIP-HOP:

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ATLANTA...

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I KNOW YOU [bleep] THIS

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BITCH.

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NO, I'M NOT.

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[percussive music]

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I DON'T BELIEVE YOU.

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GIVE ME 20% OF EVERYTHING.

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20%?

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20%.

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YO.

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I JUST WANT TO MAKE SURE WE

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ON THE SAME PAGE AS FAR AS

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MOVING FORWARD IN OUR

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RELATIONSHIP.

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SHE CAN'T EVEN SHOW ME, YOU

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KNOW, HOW TO BE AFFECTIONATE.

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YOU FEEL ME?

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YEAH, BECAUSE SHE NEVER HAD

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THAT MOTHER'S LOVE.

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AFFECTIONATE DON'T HAVE

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NOTHING TO DO WITH YOUR MAMA.

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BABY.

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I GOT TO GET MY OWN SPOT.

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I STILL HAVE TO FIGHT DOWN

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THIS STEREOTYPE THAT K.MICHELLE

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IS OUTRIGHT CRAZY.

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WHEN BUSINESS IS INVOLVED, NO

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ONE CARE IF YOU HURT.

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EVERYBODY WANT YOU TO SLING.

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SHUT UP AND MAKE THE MONEY.

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WE NEED TO DO A REAL VIDEO--

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YOU KNOW WHAT I'M SAYING--

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LIKE, A TOTAL CONCEPT,

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STORYBOARD, THE WHOLE SHEBANG.

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ALL RIGHT, STAND BY.

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YO, WHERE ARE YOU?

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YOU'RE TWO HOURS LATE.

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YOU SUPPOSED TO BE HERE AT

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11:00.

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I'M HERE, BUT I'M REALLY NOT

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HERE.

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AND ME AND YOU AIN'T HERE.

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WHO IS IT?

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WHOSE BABY IS IT?

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WHO YOU BEEN [bleep] WITH?

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I JUST WANT TO KNOW.

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YOU REALLY WANT TO KNOW?

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I AIN'T BEEN [bleep] NOBODY FOR

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THE LAST SIX MONTHS BUT YOU.

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* YEAH

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* THIS THE LIFE

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♪ THIS IS THE LIFE

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* 'SUP ♪

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* THIS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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* THIS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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♪ THERE AIN'T NOTHING LIKE ♪

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♪ HIP-HOP MUSIC

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♪ MUSIC

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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SO YOU'RE SAYING IT'S MY KID?

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SO WHO KID IS IT?

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WHO ELSE YOU [bleep]?

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I AIN'T BEEN [bleep] NOBODY

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FOR THE LAST SIX MONTHS BUT YOU.

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YOU AIN'T BEEN [bleep] ME FOR

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SIX MONTHS.

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FOUR MONTHS.

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WE HAVE--[bleep].

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FOUR MONTHS.

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WE HAVE [bleep], RIGHT?

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BUT IF THAT WAS MY BABY, IT'D BE

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BIGGER THAN THAT.

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BELIEVE IT OR NOT, I'M VERY

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SENSUAL WITH MY CUTTY CAT.

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AND I KNOW PEOPLE'S NOT GONNA

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BELIEVE THIS.

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BUT GUESS WHAT?

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THEY DON'T HAVE TO.

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I DON'T GIVE A [bleep].

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YOU KNOW HOW MIMI BROUGHT YOU

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THAT 20%--THAT 20% PAPERWORK

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THAT SHE BROUGHT YOU?

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WHAT THAT GOT TO DO WITH

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ANYTHING?

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I'M GONNA BRING YOU THE 50%

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PAPERWORK.

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FOR WHAT?

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YOU AIN'T GONNA HAVE NO MONEY

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LEFT AFTER YOU MESS WITH ME,

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JUST BECAUSE YOU SAID WHAT

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YOU SAID.

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YOU GOT A FEVER?

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DON'T TOUCH ME.

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YOU MUST BE HIGH.

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NO, JUST BECAUSE YOU SAID

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WHAT YOU SAID--WHO'S THE BABY

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DADDY?

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I'LL BRING IT. GO BRING IT.

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WHO'S THE BA--

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GO GET WHAT YOU THINK YOU

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GONNA GET.

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YOU GONNA GET WHAT YOU HAD

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BEFORE YOU MET ME.

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THAT'S WHAT YOU GONNA GET.

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OKAY.

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[bleep] WITH ME.

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MM-HMM.

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DID I HIT IT?

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YEAH.

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HAVE I SPENT A COUPLE DAYS OVER

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THERE?

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YEAH.

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BUT THAT'S AS FAR AS THAT GOES.

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BUT SHE'S NOT TOUCHING NONE OF

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MY [bleep].

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50%--50% OF WHAT?

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OF THIS?

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YOU KNOW WHAT I'M SAYING?

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I DON'T WANT THAT NO MORE.

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EH, SO BUSINESS IS BUSINESS.

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THAT'S NOT A TURN-ON, SO I

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DON'T WANT IT.

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SO WE BACK TO BUSINESS,

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RIGHT?

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YEAH.

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100%.

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YEAH, HE'S THE BEST I EVER

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HAD.

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BUT I DON'T EVEN WANT IT

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ANYMORE.

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HE JUST...

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[sighs]

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HE JUST DISGUSTS ME.

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[claps]

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WHAT YOU TOUCHING ME FOR?

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[laughs]

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JUST HELPING YOU UP.

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I'M NOT SIX MONTHS PREGNANT.

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I'M ONLY MAYBE, LIKE, THREE

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WEEKS.

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IT COULDN'T HAVE BEEN THREE

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WEEKS.

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WELL, A MONTH AND--A MONTH

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AND A HALF--I'M NOT SIX MONTHS.

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YOU DON'T GOT TO HELP ME UP.

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K.

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* LA-LA-LA

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WHAT'S UP?

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[growls]

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HEY.

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B. COX HAS PRODUCED

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MARY J. BLIGE, MARIAH CAREY,

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AND MONICA.

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AND NOW I'M HONORED THAT HE

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BELIEVES IN ME.

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THE FIRST THING ON THE AGENDA IS

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TO SHOW ALL THE LOCAL RECORD

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EXECS MY TALENT.

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LISTEN, THE SHOWCASE IS

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VITAL.

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THE PEOPLE THAT ARE GONNA BE

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THERE ARE GONNA BE WATCHING YOU

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UNDER A MICROSCOPE.

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YOU KNOW WHAT I'M SAYING?

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IT'S NOT JUST ABOUT K.MICHELLE

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THE ARTIST.

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IT'S ABOUT K.MICHELLE THE BRAND.

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AND THE WHOLE PURPOSE OF US

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PUTTING THIS SHOWCASE TOGETHER

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IS TO INTRODUCE THAT...

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YEAH.

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NEW BRAND TO THE PEOPLE WHO

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DON'T KNOW YOU OR HAVE HEARD

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THINGS OR--YOU KNOW WHAT I MEAN?

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THE WRONG THING.

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THE WRONG THINGS.

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YOU KNOW WHAT I'M SAYING?

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[laughs]

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WHEN I LEFT JIVE RECORDS, I WAS

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VERY HURT.

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I HAD NO MONEY TO RECORD A ALBUM

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BECAUSE IT WAS SPENT.

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I WENT UP TO THE RECORD LABEL,

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AND I JUST SCREAMED,

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"WHO'S RESPONSIBLE?"

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LIKE, I WANTED TO KNOW.

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I WANTED THE RECEIPTS.

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I WANTED TO KNOW WHO DID IT.

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SO AS I START SCREAMING,

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EVERYBODY START RUNNING, LOCKING

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DOORS, SCARED.

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I WAS FIGHTING TO BE HEARD.

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SO IT GOT TO BE, "OH, MY GOD,

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SHE'S SO AWFUL.

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OH, MY GOD, SHE'S CRAZY."

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YOU KNOW WHAT I'M SAYING?

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MM-HMM.

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YOU GOT LEAVE THAT WHERE IT IS.

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YOU KNOW WHAT I MEAN?

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WHEN YOU DO THE SHOWCASE, SHAKE

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HANDS, KISS BABIES, GET UP

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ONSTAGE, SING YOUR ASS OFF,

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YOU KNOW, MAKE EVERYBODY IN

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THERE KNOW WHO YOU ARE.

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WILL THEY EVER, EVER LOOK

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OVER WHAT I'VE DONE OR WHAT I'VE

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BEEN THROUGH?

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LIKE--

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LISTEN, THESE EXECUTIVES WANT

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TO WORK WITH YOU.

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THEY WANT TO SIGN YOU.

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THEY WANT TO GIVE YOU AN

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OPPORTUNITY.

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THEY SCARED.

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THEY ARE ABSOLUTELY

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TERRIFIED THAT YOU GONNA RUN UP

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IN THEY BUILDING AND GO CRAZY ON

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THEM IF IT DON'T GO YOUR WAY.

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I GOT TO KILL IT.

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I GOT TO BE GREAT, BUT AT THE

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SAME TIME, I GOT TO BE HONEST

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WITH MY EMOTIONS.

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IT'S MAKE IT OR BREAK IT FOR ME

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NOW.

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THIS IS A SECOND CHANCE,

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AND NOBODY EVER GETS A SECOND

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CHANCE.

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YOU KNOW WHAT I MEAN?

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[door rattles]

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MAMA DUKES.

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AFTER I WENT TO HOLLER AT ERICA

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TO TELL HER HOW I FELT, YOU

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KNOW, I WENT TO GO HOLLER AT

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MAMA DUKES.

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HOW YOU DOING?

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I'M GOOD.

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HOW YOU BEEN?

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THAT'S THE PERSON

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YOU NEED TO GO TO.

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SHE GONNA KEEP IT STRAIGHT

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WITH YA.

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WHAT'S UP, SON?

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JUST FINDING ME A LITTLE

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SPRIZZOT.

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WHAT?

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NEW PLACE.

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REALLY?

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YEP, MADE FOR A BACHELOR.

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WHAT'S GOING ON WITH YOU AND

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ERICA?

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I MEAN, WE GOOD, MAN, BUT I

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JUST GOT TO GET UP OUT OF THERE,

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MAN.

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I GOT TO GO DO MY THING,

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YOU KNOW?

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I'M TRYING TO, YOU KNOW,

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JUST GET SOME UNDERSTAND--

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'CAUSE I DON'T UNDERSTAND IT.

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I DON'T UNDERSTAND HOW--YOU FEEL

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ME--LIKE, YOU IN THE SAME

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HOUSE, YOU TALK ALL THAT, YOU

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KNOW, THAT LOVEY-DOVEY STUFF,

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BUT YOU DON'T--YOU CAN'T--LIKE,

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YOU CAN'T DO IT.

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YEAH, IT'S NOT IN YOU.

274
00:06:17,300 --> 00:06:18,067
YOU CAN'T EVEN DO IT.

275
00:06:18,067 --> 00:06:20,200
BUT AGAIN, IT GOES BACK TO

276
00:06:20,200 --> 00:06:21,633
SAYING SHE CAN'T SHOW YOU

277
00:06:21,633 --> 00:06:22,900
SOMETHING THAT'S NOT IN HER.

278
00:06:22,900 --> 00:06:25,200
YOU KNOW, ERICA MY BABY MAMA

279
00:06:25,200 --> 00:06:26,067
AND ALL.

280
00:06:26,067 --> 00:06:26,900
I LOVE HER.

281
00:06:26,900 --> 00:06:27,967
I MESS WITH HER, THE WHOLE

282
00:06:27,967 --> 00:06:30,367
100,000 YARDS, MAN, IF THERE

283
00:06:30,367 --> 00:06:32,533
WAS, BUT, YOU KNOW, THAT DON'T

284
00:06:32,533 --> 00:06:33,533
MEAN YOU GOT TO BE WITH

285
00:06:33,533 --> 00:06:34,500
SOMEBODY.

286
00:06:34,500 --> 00:06:35,833
ARE YOU GONNA STILL SEE HER,

287
00:06:35,833 --> 00:06:36,900
OR ARE YOU JUST GONNA START

288
00:06:36,900 --> 00:06:37,700
DATING OTHER WOMEN?

289
00:06:37,700 --> 00:06:38,400
'CAUSE I HAVE TO KNOW.

290
00:06:38,400 --> 00:06:39,867
I'MA TRY TO. I'MA TRY TO.

291
00:06:39,867 --> 00:06:40,600
I KNOW YOU.

292
00:06:40,600 --> 00:06:41,433
I'MA TRY TO.

293
00:06:41,433 --> 00:06:42,267
YEAH, WELL, ENOUGH SPACE,

294
00:06:42,267 --> 00:06:42,933
YOU GONNA RUN IT.

295
00:06:42,933 --> 00:06:44,067
YEAH, YOU GONNA DO SOME STUFF.

296
00:06:44,067 --> 00:06:44,867
NAW, I'M GONNA TRY TO.

297
00:06:44,867 --> 00:06:45,533
YEAH.

298
00:06:45,533 --> 00:06:46,200
YOU FEEL ME?

299
00:06:46,200 --> 00:06:47,867
BUT, YOU KNOW, IF IT DON'T WORK,

300
00:06:47,867 --> 00:06:49,133
YOU KNOW, THAT WAY, I AIN'T

301
00:06:49,133 --> 00:06:49,800
GOT TO MOVE.

302
00:06:49,800 --> 00:06:50,467
SHE AIN'T GOT TO MOVE.

303
00:06:50,467 --> 00:06:51,433
YOU GOT YOUR OWN STUFF.

304
00:06:51,433 --> 00:06:53,433
I GOT MY OWN STUFF.

305
00:06:53,433 --> 00:06:55,267
WELL, YOU KNOW SHE CAME OVER

306
00:06:55,267 --> 00:06:56,133
RECENTLY.

307
00:06:56,133 --> 00:06:57,367
AND I TOLD HER, YOU KNOW,

308
00:06:57,367 --> 00:06:58,800
HONESTLY, "YOU GOT TO STEP YOUR

309
00:06:58,800 --> 00:06:59,667
'A' GAME UP, BECAUSE IF YOU

310
00:06:59,667 --> 00:07:00,600
DON'T, YOU'RE GONNA LOSE HIM,

311
00:07:00,600 --> 00:07:02,900
AND I KNOW MY SON.

312
00:07:02,900 --> 00:07:03,600
YOU KNOW WHAT I'M SAYING?

313
00:07:03,600 --> 00:07:04,267
HE'S LIKE ME.

314
00:07:04,267 --> 00:07:05,633
IF WE NOT FEELING IT, WE CUTTING

315
00:07:05,633 --> 00:07:06,867
OUT, 'CAUSE YOU AIN'T GONNA MAKE

316
00:07:06,867 --> 00:07:07,600
ME FEEL IN LOVE."

317
00:07:07,600 --> 00:07:08,700
YEAH, NAW, NAW.

318
00:07:08,700 --> 00:07:09,867
MA, IT AIN'T EVEN NO LOVE.

319
00:07:09,867 --> 00:07:10,733
IT'S JUST LIKE--YOU KNOW WHAT

320
00:07:10,733 --> 00:07:11,900
I'M SAYING--I'D RATHER KICK IT

321
00:07:11,900 --> 00:07:13,633
WITH A MILLION CHICKS AND GET

322
00:07:13,633 --> 00:07:14,467
THAT FROM A MILLION CHICKS

323
00:07:14,467 --> 00:07:16,067
THAN NOT GET THAT FROM ONE.

324
00:07:16,067 --> 00:07:17,400
AS LONG AS HE DOESN'T DRAGS

325
00:07:17,400 --> 00:07:20,067
IN ANOTHER WOMAN LIKE DIAMOND,

326
00:07:20,067 --> 00:07:21,667
MAMA DOWN WITH THAT.

327
00:07:21,667 --> 00:07:23,967
I'D RATHER FOR MY SON TO BE

328
00:07:23,967 --> 00:07:26,500
WITH, SLEEP WITH, TO DO WHOEVER

329
00:07:26,500 --> 00:07:28,500
HE WANTS, THAN FOR ONE WOMAN

330
00:07:28,500 --> 00:07:29,833
NOT TO GIVE HIM THE ONE THING

331
00:07:29,833 --> 00:07:31,100
HE ASKS FOR.

332
00:07:31,100 --> 00:07:32,833
HAVE YOU HIRED MOVERS YET?

333
00:07:32,833 --> 00:07:33,767
NAW, I WAS GONNA ASK YOU TO

334
00:07:33,767 --> 00:07:34,800
DO THAT.

335
00:07:34,800 --> 00:07:35,800
WOW.

336
00:07:35,800 --> 00:07:36,467
[laughs]

337
00:07:36,467 --> 00:07:37,300
I'LL DO IT.

338
00:07:37,300 --> 00:07:38,067
I DON'T DO THAT.

339
00:07:38,067 --> 00:07:38,933
I'LL GET 'EM TOGETHER.

340
00:07:38,933 --> 00:07:39,633
I DON'T DO THAT.

341
00:07:39,633 --> 00:07:40,300
I DON'T DO THAT AT ALL.

342
00:07:40,300 --> 00:07:40,967
OH, I KNOW.

343
00:07:40,967 --> 00:07:41,633
I'M ALWAYS DOING IT.

344
00:07:41,633 --> 00:07:42,467
I DON'T NEVER DO THAT.

345
00:07:42,467 --> 00:07:43,467
WHEN DOES THAT STOP?

346
00:07:43,467 --> 00:07:44,633
WHY, EVERY TIME I GO OUT,

347
00:07:44,633 --> 00:07:45,767
I HAVE TO HEAR ABOUT YOU AND

348
00:07:45,767 --> 00:07:46,600
SOMEBODY?

349
00:07:46,600 --> 00:07:47,600
I AIN'T TAKE HER DOWN.

350
00:07:47,600 --> 00:07:49,433
OKAY, SO THERE'S NO TRUTH

351
00:07:49,433 --> 00:07:50,267
TO IT, IS WHAT YOU'RE SAYING?

352
00:07:50,267 --> 00:07:51,367
NO TRUTH.

353
00:07:51,367 --> 00:07:52,567
I'M GETTING SHORTCHANGED.

354
00:07:52,567 --> 00:07:54,133
I'LL BE THERE WHEN I [bleep] GET

355
00:07:54,133 --> 00:07:54,733
THERE.

356
00:07:54,733 --> 00:07:56,500
HOW MUCH DOES THAT COST, $300,

357
00:07:56,500 --> 00:07:57,300
$400?

358
00:07:57,300 --> 00:07:58,667
A FEW THOUSAND DOLLARS.

359
00:07:58,667 --> 00:08:00,700
I KNOW WHO BABY I HAVE IN MY

360
00:08:00,700 --> 00:08:03,067
STOMACH, AND YOU KNOW TOO.

361
00:08:13,500 --> 00:08:14,600
SO AT THE VIDEO SHOOT,

362
00:08:14,600 --> 00:08:16,433
RASHEEDA WAS TWO HOURS LATE,

363
00:08:16,433 --> 00:08:17,433
NOT ANSWERING THE PHONE,

364
00:08:17,433 --> 00:08:19,067
NOT TEXTING BACK.

365
00:08:19,067 --> 00:08:20,567
AND I'M LIKE, "WHAT THE [bleep]

366
00:08:20,567 --> 00:08:21,467
IS WRONG WITH YOU?"

367
00:08:21,467 --> 00:08:22,633
LIKE, I'M PISSED.

368
00:08:22,633 --> 00:08:24,267
YOU PISSED OFF WITH ME

369
00:08:24,267 --> 00:08:25,233
ABOUT TIME.

370
00:08:25,233 --> 00:08:26,233
IT'S LIKE, SOMETIMES I BE

371
00:08:26,233 --> 00:08:27,900
THINKING YOU DON'T REMEMBER THE

372
00:08:27,900 --> 00:08:29,067
HATS THAT I DO WEAR.

373
00:08:29,067 --> 00:08:31,800
YOU KNOW, LIKE, I AM MAMA.

374
00:08:31,800 --> 00:08:34,300
I AM RUNNING A BUSINESS

375
00:08:34,300 --> 00:08:35,167
WITH YOU.

376
00:08:35,167 --> 00:08:36,467
DON'T FORGET, WHEN YOU HUNGRY,

377
00:08:36,467 --> 00:08:37,433
WHO GOT TO COOK.

378
00:08:37,433 --> 00:08:38,167
BUT YOU GOT TO KEEP

379
00:08:38,167 --> 00:08:38,767
BUSINESS--

380
00:08:38,767 --> 00:08:39,500
EVERY TIME I TURN AROUND

381
00:08:39,500 --> 00:08:40,333
BECAUSE--LET ME SAY THIS--

382
00:08:40,333 --> 00:08:41,067
THERE WAS SUPPOSED TO BE

383
00:08:41,067 --> 00:08:41,667
FOUR DANCERS.

384
00:08:41,667 --> 00:08:42,500
THERE'S TWO DANCERS THERE.

385
00:08:42,500 --> 00:08:43,333
SO I FELT LIKE,

386
00:08:43,333 --> 00:08:45,167
"HEY, I'M GETTING SHORTCHANGED."

387
00:08:45,167 --> 00:08:46,167
I'LL BE THERE WHEN I [bleep]

388
00:08:46,167 --> 00:08:46,833
GET THERE.

389
00:08:46,833 --> 00:08:48,067
THAT'S HOW I WAS FEELING.

390
00:08:48,067 --> 00:08:49,567
THAT'S COOL FOR YOU.

391
00:08:49,567 --> 00:08:51,200
FOR ME, I CAN'T DEAL WITH THAT.

392
00:08:51,200 --> 00:08:52,700
TWO HOURS LATE, HOW MUCH DOES

393
00:08:52,700 --> 00:08:54,800
THAT COST, $300, $400?

394
00:08:54,800 --> 00:08:58,500
A FEW THOUSAND DOLLARS.

395
00:08:58,500 --> 00:08:59,500
YOU ACTING LIKE THIS IS NOT

396
00:08:59,500 --> 00:09:00,967
TAKING FOOD OFF OF YOUR TABLE

397
00:09:00,967 --> 00:09:02,067
AS WELL.

398
00:09:02,067 --> 00:09:03,100
AND I FEEL LIKE, YOU KNOW,

399
00:09:03,100 --> 00:09:04,433
YOU NOT REALLY BEING SMART ABOUT

400
00:09:04,433 --> 00:09:05,433
THE BUSINESS BECAUSE YOU HAVE

401
00:09:05,433 --> 00:09:06,367
A ATTITUDE.

402
00:09:06,367 --> 00:09:07,933
NOW WE HAVE TO CUT INTO THE

403
00:09:07,933 --> 00:09:09,800
BUDGET THAT WAS ALREADY CUT

404
00:09:09,800 --> 00:09:10,667
INTO.

405
00:09:10,667 --> 00:09:12,733
AND THIS IS WHAT I'M THINKING.

406
00:09:12,733 --> 00:09:13,800
WHAT YOU'RE LOOKING FOR

407
00:09:13,800 --> 00:09:15,400
AND WHAT YOU WANT, I THINK

408
00:09:15,400 --> 00:09:18,567
THERE'S A MAJOR LABEL SITUATION.

409
00:09:18,567 --> 00:09:19,900
WHAT?

410
00:09:19,900 --> 00:09:20,800
YOU KNOW WHAT IT'S LIKE TO BE

411
00:09:20,800 --> 00:09:22,267
A INDEPENDENT ARTIST AND HAVE,

412
00:09:22,267 --> 00:09:24,133
LIKE, A GREAT HIT RECORD THAT'S

413
00:09:24,133 --> 00:09:25,567
GETTING INSTANT RESPONSE?

414
00:09:25,567 --> 00:09:27,300
THAT'S YOUR TICKET FROM BEING

415
00:09:27,300 --> 00:09:29,367
HERE TO, LIKE, HERE.

416
00:09:29,367 --> 00:09:31,733
THAT'S MONEY FOR KIDS DOWN THE

417
00:09:31,733 --> 00:09:33,100
LINE WITH PUBLISHING, WITH

418
00:09:33,100 --> 00:09:34,233
ALWAYS MAKING MONEY.

419
00:09:34,233 --> 00:09:35,567
THAT'S HOW WE EAT A LOT OF

420
00:09:35,567 --> 00:09:36,233
TIMES.

421
00:09:36,233 --> 00:09:37,067
SO WHEN WE GET A MAJOR DEAL,

422
00:09:37,067 --> 00:09:38,900
THAT MEANS WE NO LONGER OWN

423
00:09:38,900 --> 00:09:40,733
THE MASTERS, OKAY.

424
00:09:40,733 --> 00:09:42,067
I DON'T EVEN CARE ABOUT THAT

425
00:09:42,067 --> 00:09:42,833
PART OF IT.

426
00:09:42,833 --> 00:09:43,667
HOW COULD YOU NOT CARE ABOUT

427
00:09:43,667 --> 00:09:44,333
THAT?

428
00:09:44,333 --> 00:09:45,167
YOU'RE A MAN WHO CAN GO GET

429
00:09:45,167 --> 00:09:45,933
A SONG, PUT IT IN A MOVIE,

430
00:09:45,933 --> 00:09:48,867
AND GET $100,000 AND $50,000.

431
00:09:48,867 --> 00:09:50,300
LABELS DO IT ALL THE TIME.

432
00:09:50,300 --> 00:09:51,067
YOU THINK A ARTIST SEE THAT

433
00:09:51,067 --> 00:09:51,733
MONEY?

434
00:09:51,733 --> 00:09:53,100
NEVER.

435
00:09:53,100 --> 00:09:54,067
BUT IT'S LIKE, I DON'T WANT

436
00:09:54,067 --> 00:09:55,867
TO BE MAD ALL THE TIME ABOUT

437
00:09:55,867 --> 00:09:58,067
WHAT I CAN'T DO, AND, "I CAN'T

438
00:09:58,067 --> 00:09:58,900
REALLY MAKE THIS HAPPEN RIGHT

439
00:09:58,900 --> 00:10:00,067
NOW; I GOT TO WAIT."

440
00:10:00,067 --> 00:10:01,133
AND I'M REALLY TO THE POINT--

441
00:10:01,133 --> 00:10:02,200
AND YOU KNOW WHAT?

442
00:10:02,200 --> 00:10:03,667
IF WE COULD JUST WAKE UP AND,

443
00:10:03,667 --> 00:10:05,667
YOU KNOW, IT'S JUST US.

444
00:10:05,667 --> 00:10:07,100
AND YOU NOT--YOU NOT,

445
00:10:07,100 --> 00:10:08,100
"WHAT WE GOT TO DO?

446
00:10:08,100 --> 00:10:08,833
WHAT WE GOT TO DO?

447
00:10:08,833 --> 00:10:09,500
WE GOT TO GO HARD.

448
00:10:09,500 --> 00:10:10,200
WE GOT TO--"

449
00:10:10,200 --> 00:10:11,033
IT'S LIKE SOMETIME I JUST BE

450
00:10:11,033 --> 00:10:12,267
WANTING TO BE LIKE, YO,

451
00:10:12,267 --> 00:10:13,100
YOU GOING FOR SOMETHING,

452
00:10:13,100 --> 00:10:14,600
BUT, LIKE, YOU LOSING PERSONAL

453
00:10:14,600 --> 00:10:16,933
RELATIONSHIP AND CAN'T EVEN GET

454
00:10:16,933 --> 00:10:18,900
A HUG SOMETIME, AND IT'S JUST

455
00:10:18,900 --> 00:10:20,067
ALWAYS JUST--

456
00:10:20,067 --> 00:10:20,967
DON'T THINK I DON'T THINK

457
00:10:20,967 --> 00:10:22,300
ABOUT THE PERSONAL STUFF,

458
00:10:22,300 --> 00:10:25,000
BUT WE RIGHT HERE.

459
00:10:25,000 --> 00:10:26,133
I KNOW THIS.

460
00:10:26,133 --> 00:10:26,800
I--

461
00:10:26,800 --> 00:10:27,500
WE HAVE A BRAND.

462
00:10:27,500 --> 00:10:28,333
WE GONNA BUILD IT.

463
00:10:28,333 --> 00:10:30,467
BOSS BITCH, BOSS CHICK,

464
00:10:30,467 --> 00:10:31,400
THE INDEPENDENT BITCH--

465
00:10:31,400 --> 00:10:32,733
THAT'S WHAT IT IS.

466
00:10:32,733 --> 00:10:33,867
AND THAT'S WHAT I WANT TO ROLL

467
00:10:33,867 --> 00:10:35,867
WITH.

468
00:10:42,233 --> 00:10:43,167
WELL, SCRAPPY'S TALKING ABOUT

469
00:10:43,167 --> 00:10:44,000
MOVING OUT.

470
00:10:44,000 --> 00:10:47,500
AND EVEN THOUGH I AGREED THAT,

471
00:10:47,500 --> 00:10:48,500
YOU KNOW, WE DO NEED TO STAY

472
00:10:48,500 --> 00:10:50,333
SEPARATELY, I'M HAVING

473
00:10:50,333 --> 00:10:52,300
SECOND THOUGHTS.

474
00:10:52,300 --> 00:10:53,867
SO TONIGHT I'M GONNA DO

475
00:10:53,867 --> 00:10:55,933
SOMETHING SPECIAL FOR HIM.

476
00:11:01,133 --> 00:11:02,133
HUH, WHAT?

477
00:11:02,133 --> 00:11:03,067
HOPEFULLY I GET HIM TO CHANGE

478
00:11:03,067 --> 00:11:05,933
HIS MIND.

479
00:11:05,933 --> 00:11:08,333
WHAT'S UP, BABY?

480
00:11:08,333 --> 00:11:10,333
WELL...

481
00:11:12,067 --> 00:11:14,667
WITH THE CHOCOLATE STRAWBERRIES.

482
00:11:14,667 --> 00:11:16,500
FOR YOU.

483
00:11:16,500 --> 00:11:18,667
WOW.

484
00:11:18,667 --> 00:11:19,767
SO YOU TELL ME.

485
00:11:19,767 --> 00:11:21,767
WHERE YOU WANT TO START?

486
00:11:23,967 --> 00:11:24,633
THIS HERE'S

487
00:11:24,633 --> 00:11:28,500
THE [bleep] THING.

488
00:11:28,500 --> 00:11:29,500
[romantic music]

489
00:11:29,500 --> 00:11:30,767
♪

490
00:11:30,767 --> 00:11:31,533
WHY YOU LOOKING AT ME LIKE

491
00:11:31,533 --> 00:11:35,500
THAT?

492
00:11:35,500 --> 00:11:36,933
I REALLY FEEL LIKE

493
00:11:36,933 --> 00:11:38,467
PRINCE AKEEM RIGHT NOW,

494
00:11:38,467 --> 00:11:39,300
YOU KNOW?

495
00:11:39,300 --> 00:11:42,467
I DONE CAME BACK TO AMERICA.

496
00:11:42,467 --> 00:11:43,467
YOU KNOW WHAT I'M SAYING?

497
00:11:43,467 --> 00:11:47,167
LIKE, ONCE YOU GET TREATED

498
00:11:47,167 --> 00:11:49,467
LIKE ROYALTY--YOU FEEL ME--

499
00:11:49,467 --> 00:11:52,167
IT'S HARD TO LEAVE.

500
00:11:52,167 --> 00:11:54,633
ERICA AIN'T NEVER HAD ON NO

501
00:11:54,633 --> 00:11:55,967
LINGERIE LIKE THAT, MAN.

502
00:11:55,967 --> 00:11:56,833
YOU KNOW WHAT I'M SAYING?

503
00:11:56,833 --> 00:11:59,067
HAD ME UP ON CHILL--

504
00:11:59,067 --> 00:12:00,267
YOU FEEL--READY TO GO.

505
00:12:00,267 --> 00:12:01,233
YOU KNOW WHAT I'M SAYING?

506
00:12:01,233 --> 00:12:02,267
SHE WAS TRAINED TO GO RIGHT

507
00:12:02,267 --> 00:12:02,967
THERE--T.T.G.

508
00:12:02,967 --> 00:12:05,100
YOU FEEL ME?

509
00:12:05,100 --> 00:12:06,100
I DON'T KNOW HOW I'M GONNA TELL

510
00:12:06,100 --> 00:12:06,900
SHAWTY.

511
00:12:06,900 --> 00:12:07,600
YOU KNOW WHAT I'M SAYING?

512
00:12:07,600 --> 00:12:10,833
IT IS DONE-DEALY.

513
00:12:10,833 --> 00:12:12,333
I FOUND A SPOT.

514
00:12:12,333 --> 00:12:13,600
YOU DID?

515
00:12:13,600 --> 00:12:15,833
YEAH, I FOUND A SPOT.

516
00:12:15,833 --> 00:12:18,600
JUST A COUPLE PAPERS NEED TO BE

517
00:12:18,600 --> 00:12:19,433
SIGNED.

518
00:12:19,433 --> 00:12:20,233
YOU FEEL ME?

519
00:12:20,233 --> 00:12:22,233
SO WHEN ARE YOU SIGNING THEM?

520
00:12:22,233 --> 00:12:22,900
SUNDAY.

521
00:12:22,900 --> 00:12:24,067
OKAY.

522
00:12:24,067 --> 00:12:25,067
THE TIMING COULDN'T HAVE BEEN

523
00:12:25,067 --> 00:12:26,100
ANY WORSE.

524
00:12:26,100 --> 00:12:27,067
IT'S LIKE, "LOOK WHAT I GOT

525
00:12:27,067 --> 00:12:28,067
GOING ON, AND THIS IS WHAT

526
00:12:28,067 --> 00:12:29,233
YOU GONNA HIT ME WITH?

527
00:12:29,233 --> 00:12:30,067
THIS IS THE FIRST THING

528
00:12:30,067 --> 00:12:31,067
YOU SAY?"

529
00:12:31,067 --> 00:12:33,533
WHERE DOES THIS LEAVE US?

530
00:12:33,533 --> 00:12:34,533
IT LEAVE US STILL

531
00:12:34,533 --> 00:12:35,300
WHERE WE AT.

532
00:12:35,300 --> 00:12:36,167
WE WORKING ON IT.

533
00:12:36,167 --> 00:12:37,533
WE GETTING IT RIGHT.

534
00:12:37,533 --> 00:12:39,500
I FEEL LIKE I JUST PUT A LOT

535
00:12:39,500 --> 00:12:41,067
OUT THERE, AND I'M WANTING YOU

536
00:12:41,067 --> 00:12:42,167
TO SOAK IN THE MOMENT AND ENJOY

537
00:12:42,167 --> 00:12:43,067
IT, AND YOU'RE JUST LIKE,

538
00:12:43,067 --> 00:12:44,733
"YEAH, I GOT MY OWN PLACE."

539
00:12:44,733 --> 00:12:45,600
I'M MOVING FORWARD.

540
00:12:45,600 --> 00:12:46,600
YOU FEEL ME?

541
00:12:46,600 --> 00:12:47,367
I JUST WANT TO MAKE SURE WE

542
00:12:47,367 --> 00:12:48,167
ON THE SAME PAGE.

543
00:12:48,167 --> 00:12:49,167
I TRUST HIM.

544
00:12:49,167 --> 00:12:50,567
I TRUST THAT HE'S GONNA DO

545
00:12:50,567 --> 00:12:52,567
RIGHT, BECAUSE THIS IS

546
00:12:52,567 --> 00:12:53,600
THE LAST TIME RIGHT HERE,

547
00:12:53,600 --> 00:12:54,267
AND HE KNOWS IT.

548
00:12:54,267 --> 00:12:55,167
THIS IS FINAL.

549
00:12:55,167 --> 00:12:57,533
I WON'T BE DISRESPECTED AGAIN.

550
00:12:57,533 --> 00:12:58,300
DON'T BE LIKE THAT.

551
00:12:58,300 --> 00:12:59,600
YOU FEEL ME?

552
00:12:59,600 --> 00:13:01,233
DON'T BE LIKE THAT.

553
00:13:01,233 --> 00:13:02,333
YOU ALREADY KNOW I'M IN.

554
00:13:02,333 --> 00:13:03,600
YOU--I ALREADY KNOW YOU IN.

555
00:13:03,600 --> 00:13:04,500
BUT I STILL NEED THAT

556
00:13:04,500 --> 00:13:05,233
CONFIRMATION FROM YOU.

557
00:13:05,233 --> 00:13:06,067
OKAY.

558
00:13:06,067 --> 00:13:06,867
I'M WORKING ON YOU, AND YOU

559
00:13:06,867 --> 00:13:07,900
WORKING ON ME...

560
00:13:07,900 --> 00:13:08,567
YEAH.

561
00:13:08,567 --> 00:13:09,567
AND ONLY YOU AND ONLY ME.

562
00:13:09,567 --> 00:13:10,567
YEAH.

563
00:13:10,567 --> 00:13:12,067
YES?

564
00:13:12,067 --> 00:13:13,933
I'M NOT FEENIN' TO SAY,

565
00:13:13,933 --> 00:13:15,600
"YES, YOUR HIGHNESS."

566
00:13:15,600 --> 00:13:16,967
BUT YOU CAN SAY, "YES."

567
00:13:16,967 --> 00:13:18,833
YES.

568
00:13:18,833 --> 00:13:20,633
IF ERICA WAS THAT KIND OF PERSON

569
00:13:20,633 --> 00:13:22,733
THAT COULD GIVE ME THAT, THAT

570
00:13:22,733 --> 00:13:24,233
OOMPH IN LOVE--YOU KNOW WHAT

571
00:13:24,233 --> 00:13:26,233
I'M SAYING--NOT JUST THE "L"

572
00:13:26,233 --> 00:13:28,467
AND THE "E" BUT THE "OV" IN

573
00:13:28,467 --> 00:13:29,467
THE MIDDLE--YOU KNOW WHAT I'M

574
00:13:29,467 --> 00:13:31,367
SAYING--I'D MESS WITH THAT.

575
00:13:31,367 --> 00:13:33,233
I'D STICK AROUND WITH THAT,

576
00:13:33,233 --> 00:13:34,600
BECAUSE ALL THE OTHER QUALITIES

577
00:13:34,600 --> 00:13:36,600
ARE THERE.

578
00:13:56,067 --> 00:13:57,700
TONIGHT'S THE NIGHT:

579
00:13:57,700 --> 00:13:58,967
MY BIG SHOWCASE.

580
00:13:58,967 --> 00:14:01,133
AND I WANTED TO INVITE ALL THE

581
00:14:01,133 --> 00:14:02,233
LADIES, YOU KNOW, JUST SO THEY

582
00:14:02,233 --> 00:14:04,833
CAN GET A GLIMPSE OF K.MICHELLE

583
00:14:04,833 --> 00:14:06,467
THE ARTIST.

584
00:14:06,467 --> 00:14:07,467
WHAT YOU ALL DRINKING?

585
00:14:07,467 --> 00:14:08,533
WHAT IS THAT?

586
00:14:08,533 --> 00:14:09,233
IS THAT WATER?

587
00:14:09,233 --> 00:14:10,233
FOR NOW.

588
00:14:10,233 --> 00:14:12,133
[laughing]

589
00:14:12,133 --> 00:14:13,233
HOW YOU BEEN, GIRL?

590
00:14:13,233 --> 00:14:14,933
OH, SAME OLD THING, WORKING,

591
00:14:14,933 --> 00:14:15,867
WORKING, WORKING, WORKING.

592
00:14:15,867 --> 00:14:16,700
GOT A NEW ALBUM I'M WORKING ON,

593
00:14:16,700 --> 00:14:17,433
GETTING READY TO SHOOT THE

594
00:14:17,433 --> 00:14:18,100
VIDEO--

595
00:14:18,100 --> 00:14:18,800
HI, RASHEEDA.

596
00:14:18,800 --> 00:14:19,467
HELLO.

597
00:14:19,467 --> 00:14:21,700
HI.

598
00:14:21,700 --> 00:14:22,367
ANYWAY.

599
00:14:22,367 --> 00:14:23,933
IT LOOKED LIKE STEVIE WAS AT

600
00:14:23,933 --> 00:14:25,233
A PRE-PARTY, 'CAUSE HE WAS

601
00:14:25,233 --> 00:14:27,333
DRUNK, LOUD, AND CAUSING A DAMN

602
00:14:27,333 --> 00:14:28,100
SCENE.

603
00:14:28,100 --> 00:14:30,933
I KNOW ONE THING: STEVIE PLUS

604
00:14:30,933 --> 00:14:33,800
ALCOHOL EQUALS TROUBLE.

605
00:14:33,800 --> 00:14:34,833
I WANT YOU GUYS TO ABSOLUTE

606
00:14:34,833 --> 00:14:36,333
GIVE A ROUND OF APPLAUSE FOR MY

607
00:14:36,333 --> 00:14:38,900
SISTER, MY GIRL, K.MICHELLE.

608
00:14:38,900 --> 00:14:40,333
[cheers and applause]

609
00:14:40,333 --> 00:14:41,333
YEAH.

610
00:14:41,333 --> 00:14:44,067
[whistling]

611
00:14:44,067 --> 00:14:45,733
HELLO.

612
00:14:45,733 --> 00:14:46,733
[audience shouting]

613
00:14:46,733 --> 00:14:49,200
OKAY, SO THIS SONG IS CALLED

614
00:14:49,200 --> 00:14:50,867
BURY MY HEART.

615
00:14:50,867 --> 00:14:53,900
AND I WANTED A SONG THAT COULD

616
00:14:53,900 --> 00:14:55,300
JUST TALK TO WOMEN.

617
00:14:55,300 --> 00:14:57,300
YOU KNOW HOW Y'ALL MEN DO,

618
00:14:57,300 --> 00:14:58,800
HOW Y'ALL TREAT EVERYBODY,

619
00:14:58,800 --> 00:14:59,633
YOU KNOW?

620
00:14:59,633 --> 00:15:01,400
SO I WANTED A SONG THAT

621
00:15:01,400 --> 00:15:03,467
EXPRESSED THE HURT THAT I WENT

622
00:15:03,467 --> 00:15:05,100
THROUGH WITH A BREAKUP.

623
00:15:05,100 --> 00:15:09,400
[applause]

624
00:15:09,400 --> 00:15:13,067
♪ OH, NO

625
00:15:13,067 --> 00:15:15,800
♪ I FOUND SOMETHING I COULD

626
00:15:15,800 --> 00:15:18,900
♪ BELIEVE IN

627
00:15:18,900 --> 00:15:22,267
♪ OH, AFTER A WHILE

628
00:15:22,267 --> 00:15:23,400
SING THAT SONG, BROTHER.

629
00:15:23,400 --> 00:15:26,067
* YOU LET ME DOWN

630
00:15:26,067 --> 00:15:27,400
TAKE YOUR TIME.

631
00:15:27,400 --> 00:15:28,233
YOU GOT IT.

632
00:15:28,233 --> 00:15:31,233
* BUT NOW THAT YOU'RE GONE ♪

633
00:15:31,233 --> 00:15:33,233
♪ I'M SO LOST ♪

634
00:15:33,233 --> 00:15:35,433
♪ AND I'LL NEVER ♪

635
00:15:35,433 --> 00:15:36,500
SING THAT SONG, GIRL.

636
00:15:36,500 --> 00:15:40,767
* WANT TO LOVE YOU AGAIN

637
00:15:40,767 --> 00:15:42,500
YEAH.

638
00:15:42,500 --> 00:15:44,633
* MM, MM, MM, MM

639
00:15:44,633 --> 00:15:47,167
[cheers and applause]

640
00:15:47,167 --> 00:15:50,633
♪ THEY SAY THAT ALL WOUNDS

641
00:15:50,633 --> 00:15:56,167
♪ HEAL OVER TIME

642
00:15:56,167 --> 00:16:00,233
♪ SO WHY DOES IT FEEL LIKE

643
00:16:00,233 --> 00:16:05,867
♪ I COULD DIE?

644
00:16:05,867 --> 00:16:09,067
♪ BURY MY HEART

645
00:16:09,067 --> 00:16:13,867
♪ SO I WON'T HURT ♪

646
00:16:13,867 --> 00:16:21,300
♪ A-A-A-A-A-AGAIN

647
00:16:21,300 --> 00:16:22,333
YES!

648
00:16:22,333 --> 00:16:23,767
[cheers and applause]

649
00:16:23,767 --> 00:16:24,567
YEAH, WHOO!

650
00:16:24,567 --> 00:16:25,267
GREAT JOB.

651
00:16:25,267 --> 00:16:26,233
YEAH!

652
00:16:26,233 --> 00:16:26,833
WHOO!

653
00:16:26,833 --> 00:16:29,433
THANK YOU.

654
00:16:29,433 --> 00:16:31,500
I DID EXACTLY WHAT I WAS

655
00:16:31,500 --> 00:16:32,800
SUPPOSED TO DO.

656
00:16:32,800 --> 00:16:34,633
I LEFT THE HATERS WITH THEY

657
00:16:34,633 --> 00:16:36,300
FACE ON THE FLOOR.

658
00:16:36,300 --> 00:16:38,600
I LEFT MY FAMILY EXCITED.

659
00:16:38,600 --> 00:16:41,367
I LEFT MY FRIENDS OVERJOYED.

660
00:16:41,367 --> 00:16:44,267
AND YOU KNOW WHAT?

661
00:16:44,267 --> 00:16:45,433
[claps]

662
00:16:45,433 --> 00:16:49,067
BAM, A STAR WAS BORN.

663
00:16:49,067 --> 00:16:50,167
WAIT, WAIT--MIMI, MIMI,

664
00:16:50,167 --> 00:16:52,167
MIMI, MIMI...

665
00:16:54,200 --> 00:16:56,200
WHERE? WHO?

666
00:16:59,567 --> 00:17:01,133
SO HERE WE ARE HAVING A GOOD

667
00:17:01,133 --> 00:17:04,300
TIME, AND KARLIE DROPS ANOTHER

668
00:17:04,300 --> 00:17:05,533
BOMB AT ANOTHER K.MICHELLE

669
00:17:05,533 --> 00:17:06,233
EVENT.

670
00:17:06,233 --> 00:17:07,500
LIKE, IS THIS BECOMING A PATTERN

671
00:17:07,500 --> 00:17:08,467
OR SOMETHING?

672
00:17:08,467 --> 00:17:09,233
I DON'T WANT TO HEAR THIS

673
00:17:09,233 --> 00:17:11,233
EVERY TIME I GO OUT.

674
00:17:11,233 --> 00:17:13,167
I DON'T.

675
00:17:15,267 --> 00:17:16,500
I WANT TO FEEL SOME TYPE OF

676
00:17:16,500 --> 00:17:17,767
AFFECTION WHEN I SEE MY GIRL.

677
00:17:17,767 --> 00:17:19,367
BUT WHEN I LOOK UP, MIMI'S

678
00:17:19,367 --> 00:17:20,233
GIVING ME SOME KIND OF

679
00:17:20,233 --> 00:17:21,133
STINK EYE.

680
00:17:21,133 --> 00:17:23,167
I DON'T REALLY UNDERSTAND WHY.

681
00:17:40,333 --> 00:17:42,567
"GIVE ME A KISS.

682
00:17:42,567 --> 00:17:43,733
YOU AIN'T GO--"

683
00:17:43,733 --> 00:17:46,067
GET THE [bleep] OUT.

684
00:17:46,067 --> 00:17:49,900
THERE'S THE DOOR.

685
00:17:49,900 --> 00:17:50,967
ONE OF THE FORMER EMPLOYEES

686
00:17:50,967 --> 00:17:53,200
OF YOUR LABEL SAID TO ME, "JEFF,

687
00:17:53,200 --> 00:17:55,500
YOU MESSING WITH THAT?

688
00:17:55,500 --> 00:17:56,333
SHE'S CRAZIER THAN A BAG OF

689
00:17:56,333 --> 00:17:57,067
HAMMERS."

690
00:17:57,067 --> 00:17:58,633
MY NEXT QUESTION IS TO YOU,

691
00:17:58,633 --> 00:17:59,500
WHAT ARE YOU GONNA DO ABOUT

692
00:17:59,500 --> 00:18:01,900
THE BABY?

693
00:18:01,900 --> 00:18:02,667
I'LL SEND YOU BACK TO THE

694
00:18:02,667 --> 00:18:03,533
STRIP CLUB.

695
00:18:03,533 --> 00:18:04,300
AND EVERY TIME SOMETHING

696
00:18:04,300 --> 00:18:05,267
DON'T GO YOUR WAY, THE FIRST

697
00:18:05,267 --> 00:18:06,267
THING YOU SAY IS, "I'M GONNA

698
00:18:06,267 --> 00:18:07,133
SEND YOU BACK TO THE [bleep]

699
00:18:07,133 --> 00:18:07,933
STRIP CLUB."

700
00:18:07,933 --> 00:18:08,767
YOU WOULD NEVER SEND ME BACK TO

701
00:18:08,767 --> 00:18:09,667
THE STRIP CLUB, 'CAUSE I'M NOT

702
00:18:09,667 --> 00:18:12,333
GOING BACK.

703
00:18:12,333 --> 00:18:19,367
* THEY SAY THAT ALL WOUNDS

704
00:18:19,367 --> 00:18:21,367
[laughing]

705
00:18:34,400 --> 00:18:35,233
I JUST THOUGHT HE WAS SOME

706
00:18:35,233 --> 00:18:37,567
RANDOM DUDE JUST TALKING AND

707
00:18:37,567 --> 00:18:39,067
SAYING STUFF, UNTIL MIMI,

708
00:18:39,067 --> 00:18:41,067
OF COURSE, LET ME KNOW THAT

709
00:18:41,067 --> 00:18:42,733
THAT WAS HER BABY'S DADDY.

710
00:18:42,733 --> 00:18:43,900
SO IT ALL CAME TOGETHER THEN,

711
00:18:43,900 --> 00:18:44,900
WHY HE WAS DOING ALL

712
00:18:44,900 --> 00:18:47,067
THE EXTRA.COM.

713
00:19:15,100 --> 00:19:16,133
HE DEFINITELY DON'T WANT TO

714
00:19:16,133 --> 00:19:17,933
GO THERE, REALLY.

715
00:19:17,933 --> 00:19:19,633
WAS HE FOR REAL?

716
00:19:19,633 --> 00:19:20,967
HUH, EVIDENTLY.

717
00:19:20,967 --> 00:19:23,400
NAW, I'M SAYING...

718
00:19:23,400 --> 00:19:25,700
HE WANTS TO CALL ME A BITCH

719
00:19:25,700 --> 00:19:26,900
AND GO OFF.

720
00:19:26,900 --> 00:19:29,800
AND LITTLE DOES HE KNOW, HA,

721
00:19:29,800 --> 00:19:31,067
I'M THE ONLY BITCH.

722
00:19:31,067 --> 00:19:32,067
I'M, LIKE, NUMBER ONE,

723
00:19:32,067 --> 00:19:33,067
THE ONLY ONE.

724
00:19:33,067 --> 00:19:34,367
YOU SEE ME?

725
00:19:34,367 --> 00:19:35,700
THERE IS JUST TOO MUCH GOING

726
00:19:35,700 --> 00:19:36,867
ON FOR ME TONIGHT.

727
00:19:36,867 --> 00:19:37,600
THAT'S WHY I'M LIKE,

728
00:19:37,600 --> 00:19:38,933
"DUDE, JUST"...

729
00:19:38,933 --> 00:19:42,067
YOU SAW WHAT I DID.

730
00:19:42,067 --> 00:19:42,667
"JUST GO."

731
00:19:42,667 --> 00:19:44,067
MIMI, YOU GOT TO STOP.

732
00:19:44,067 --> 00:19:46,133
MIMI, WHEN ARE YOU GONNA GET IT?

733
00:19:46,133 --> 00:19:46,900
I DON'T UNDERSTAND.

734
00:19:46,900 --> 00:19:49,067
LIKE, WHEN IS ENOUGH GONNA BE

735
00:19:49,067 --> 00:19:49,933
ENOUGH?

736
00:19:49,933 --> 00:19:52,067
ALL THE TIME WITH SOME

737
00:19:52,067 --> 00:19:53,900
DUMB-ASS [bleep] [bleep].

738
00:19:53,900 --> 00:19:54,767
SHUT THE [bleep] UP.

739
00:19:54,767 --> 00:19:56,767
[laughter]

740
00:20:02,533 --> 00:20:04,100
STEVIE HAD A WHOLE LOT TO SAY

741
00:20:04,100 --> 00:20:05,567
LAST NIGHT WHEN WE GOT HOME.

742
00:20:05,567 --> 00:20:07,267
BUT I WAS SO FED UP, I KICKED

743
00:20:07,267 --> 00:20:08,700
HIS DRUNK ASS OUT THE BEDROOM

744
00:20:08,700 --> 00:20:10,833
AND LOCKED THE DOOR.

745
00:20:10,833 --> 00:20:12,500
I DON'T KNOW WHAT WAS YOUR DEAL

746
00:20:12,500 --> 00:20:13,367
LAST NIGHT.

747
00:20:13,367 --> 00:20:14,600
I HAD A FEW DRINKS LAST

748
00:20:14,600 --> 00:20:15,433
NIGHT, RIGHT?

749
00:20:15,433 --> 00:20:16,267
OKAY, SO WHAT WAS YOUR DEAL

750
00:20:16,267 --> 00:20:17,133
WITH ERICA?

751
00:20:17,133 --> 00:20:19,967
WHY'D YOU GO OFF ON HER?

752
00:20:19,967 --> 00:20:20,633
I--

753
00:20:20,633 --> 00:20:21,400
I JUST FELT LIKE GOING OFF

754
00:20:21,400 --> 00:20:22,067
ON EVERYBODY.

755
00:20:22,067 --> 00:20:22,733
THAT WAS BANANAS.

756
00:20:22,733 --> 00:20:23,400
I KNOW.

757
00:20:23,400 --> 00:20:24,067
I WANT TO TALK TO HER.

758
00:20:24,067 --> 00:20:24,933
I WANT TO APOLOGIZE TO HER--YOU

759
00:20:24,933 --> 00:20:25,900
KNOW WHAT I'M SAYING--'CAUSE

760
00:20:25,900 --> 00:20:26,867
SHE HAD NOTHING TO DO WITH IT.

761
00:20:26,867 --> 00:20:28,200
I JUST WAS HEATED ABOUT THE

762
00:20:28,200 --> 00:20:29,633
WHOLE SITUATION.

763
00:20:29,633 --> 00:20:31,100
WELL, MIMI'S CONSTANTLY GIVING

764
00:20:31,100 --> 00:20:32,833
ME FEVER THESE DAYS, NOT 'CAUSE

765
00:20:32,833 --> 00:20:34,000
OF ANYTHING THAT I'M DOING--

766
00:20:34,000 --> 00:20:35,167
BECAUSE OF THE THINGS THAT

767
00:20:35,167 --> 00:20:36,167
SHE'S HEARING FROM

768
00:20:36,167 --> 00:20:37,633
THESE "LADIES."

769
00:20:37,633 --> 00:20:39,733
I USE THAT TERM LOOSELY.

770
00:20:39,733 --> 00:20:40,433
HOW MANY TIMES WE GONNA GO

771
00:20:40,433 --> 00:20:41,800
THROUGH THAT "HE SAY, SHE SAY"

772
00:20:41,800 --> 00:20:42,733
AND ALL THAT?

773
00:20:42,733 --> 00:20:43,733
SO THERE'S NO TRUTH TO IT,

774
00:20:43,733 --> 00:20:44,900
IS WHAT YOU'RE SAYING.

775
00:20:44,900 --> 00:20:46,467
NO TRUTH.

776
00:20:46,467 --> 00:20:48,200
NO TRUTH TO IT.

777
00:20:48,200 --> 00:20:48,900
YOU KNOW WHAT I'M SAYING?

778
00:20:48,900 --> 00:20:49,633
I'VE SEEN HER IN THE STUDIO

779
00:20:49,633 --> 00:20:51,567
ONE OR TWO TIMES BEFORE.

780
00:20:51,567 --> 00:20:54,867
BUT I DIDN'T [bleep] THAT BROAD.

781
00:20:54,867 --> 00:20:55,800
WHY YOU LOOKING LIKE THAT?

782
00:20:55,800 --> 00:20:56,633
I DIDN'T [bleep] THAT GIRL.

783
00:20:56,633 --> 00:20:57,800
I HEAR YOU, STEVIE,

784
00:20:57,800 --> 00:20:58,633
BUT I DON'T KNOW

785
00:20:58,633 --> 00:21:00,300
ANY WOMAN THAT WAS GONNA GO RUN

786
00:21:00,300 --> 00:21:01,800
AROUND SAYING SHE SLEPT WITH

787
00:21:01,800 --> 00:21:03,633
A DUDE SHE DIDN'T SLEEP WITH;

788
00:21:03,633 --> 00:21:06,700
I DON'T KNOW ONE.

789
00:21:06,700 --> 00:21:07,367
I DON'T RECALL--

790
00:21:07,367 --> 00:21:08,167
WHY WOULD SHE DO THAT?

791
00:21:08,167 --> 00:21:09,700
YOU DON'T RECALL?

792
00:21:09,700 --> 00:21:10,700
I DIDN'T TAKE HER DOWN.

793
00:21:10,700 --> 00:21:11,900
YOU DON'T RECALL?

794
00:21:11,900 --> 00:21:12,800
I DIDN'T TAKE HER DOWN.

795
00:21:12,800 --> 00:21:14,300
YOU'RE--

796
00:21:14,300 --> 00:21:15,300
I DIDN'T TAKE HER DOWN.

797
00:21:15,300 --> 00:21:18,067
OKAY, I DON'T BELIEVE YOU.

798
00:21:18,067 --> 00:21:19,767
SHE AIN'T EVEN ON THAT LEVEL.

799
00:21:19,767 --> 00:21:20,767
SHE DON'T HAVE TO BE FOR YOU

800
00:21:20,767 --> 00:21:22,467
TO TAKE HER DOWN.

801
00:21:22,467 --> 00:21:24,733
I DIDN'T [bleep] HER.

802
00:21:24,733 --> 00:21:26,067
I DON'T REMEMBER.

803
00:21:26,067 --> 00:21:27,400
CAN WE JUST GET PAST ALL OF THIS

804
00:21:27,400 --> 00:21:29,067
BULL[bleep]?

805
00:21:29,067 --> 00:21:30,333
CAN WE GET PAST IT?

806
00:21:30,333 --> 00:21:31,400
YES.

807
00:21:31,400 --> 00:21:32,467
YOU KNOW WHAT?

808
00:21:32,467 --> 00:21:33,733
YOU MAKE YOUR MONEY.

809
00:21:33,733 --> 00:21:35,067
I'M NOT STOPPING NO CHECKS

810
00:21:35,067 --> 00:21:35,900
COMING IN.

811
00:21:35,900 --> 00:21:37,067
MAKE YOUR MONEY.

812
00:21:37,067 --> 00:21:38,367
BUT WHY, EVERY TIME I GO OUT,

813
00:21:38,367 --> 00:21:39,733
I HAVE TO HEAR ABOUT YOU AND

814
00:21:39,733 --> 00:21:40,733
SOMEBODY?

815
00:21:40,733 --> 00:21:42,567
I DON'T ALWAYS WANT ANOTHER

816
00:21:42,567 --> 00:21:45,733
FEMALE COMING IN BETWEEN US AND

817
00:21:45,733 --> 00:21:46,467
OUR RELATIONSHIP.

818
00:21:46,467 --> 00:21:48,067
IF THEY'RE YOUR ARTIST OR YOU

819
00:21:48,067 --> 00:21:49,267
SUPPOSED TO BE WORKING WITH

820
00:21:49,267 --> 00:21:53,100
THESE GIRLS, CHECK 'EM.

821
00:21:53,100 --> 00:21:53,767
I GOT 'EM.

822
00:21:53,767 --> 00:21:54,433
I'LL CHECK 'EM.

823
00:21:54,433 --> 00:21:55,167
THEY NOT RUNNING THIS--

824
00:21:55,167 --> 00:21:56,067
YOU RUNNING--

825
00:21:56,067 --> 00:21:57,167
JOSELINE, NOBODY.

826
00:21:57,167 --> 00:21:58,500
NONE OF THEM BITCHES IS RUNNING

827
00:21:58,500 --> 00:21:59,333
[bleep].

828
00:21:59,333 --> 00:22:00,200
YEAH, THAT'S YOUR THING,

829
00:22:00,200 --> 00:22:01,400
BABY.

830
00:22:01,400 --> 00:22:04,800
YOU RUNNING [bleep].

831
00:22:04,800 --> 00:22:05,900
YOU WON'T HAVE TO WORRY ABOUT

832
00:22:05,900 --> 00:22:06,967
ANY OF THAT AGAIN.

833
00:22:06,967 --> 00:22:07,800
YOU GOT TO STOP THE

834
00:22:07,800 --> 00:22:09,933
BULL[bleep], 'CAUSE I CAN'T TAKE

835
00:22:09,933 --> 00:22:10,967
TOO MUCH MORE.

836
00:22:10,967 --> 00:22:13,067
I CAN'T.

837
00:22:22,367 --> 00:22:24,367
[knocking]

838
00:22:27,600 --> 00:22:28,367
HEY.

839
00:22:28,367 --> 00:22:29,200
HI, BROTHER.

840
00:22:29,200 --> 00:22:31,067
WHAT'S GOING ON?

841
00:22:31,067 --> 00:22:32,400
REUBEN IS MY NEIGHBOR AND MY

842
00:22:32,400 --> 00:22:33,200
BEST FRIEND.

843
00:22:33,200 --> 00:22:34,533
AND AFTER WHAT HAPPENED AT THE

844
00:22:34,533 --> 00:22:36,367
STUDIO WITH STEVIE, I JUST

845
00:22:36,367 --> 00:22:37,567
NEEDED A FRIENDLY SHOULDER TO

846
00:22:37,567 --> 00:22:39,133
CRY ON.

847
00:22:39,133 --> 00:22:42,833
WHY YOU CRYING?

848
00:22:42,833 --> 00:22:44,167
I'M PREGNANT.

849
00:22:44,167 --> 00:22:47,267
YOU'RE WHAT?

850
00:22:47,267 --> 00:22:48,400
YOU KNOW WHEN ME AND I--

851
00:22:48,400 --> 00:22:50,233
STEVIE MET, IT WAS JUST

852
00:22:50,233 --> 00:22:52,067
A CONNECTION, THAT IT HAPPENED

853
00:22:52,067 --> 00:22:54,400
SO FAST, AND...

854
00:22:54,400 --> 00:22:57,067
ARE YOU IN LOVE WITH HIM?

855
00:22:57,067 --> 00:22:58,267
I DO LOVE HIM.

856
00:22:58,267 --> 00:22:59,333
I LOVE HIM.

857
00:22:59,333 --> 00:23:01,800
EVEN IF HE IS A BAD MAN, HE GAVE

858
00:23:01,800 --> 00:23:03,067
ME A CHANCE.

859
00:23:03,067 --> 00:23:04,633
HE GAVE ME OPPORTUNITY.

860
00:23:04,633 --> 00:23:06,467
AT THE END OF THE DAY,

861
00:23:06,467 --> 00:23:08,400
I LOVE HIM.

862
00:23:08,400 --> 00:23:10,067
AND THAT'S JUST WHAT IT IS.

863
00:23:10,067 --> 00:23:11,067
MY THING IS, WITH HIM,

864
00:23:11,067 --> 00:23:13,933
I ALWAYS GO BACK WITH.

865
00:23:13,933 --> 00:23:15,467
NO MATTER HOW MAD I AM AT HIM,

866
00:23:15,467 --> 00:23:17,067
I ALWAYS GO BACK TO, LIKE,

867
00:23:17,067 --> 00:23:20,467
"DAMN, IF IT WASN'T FOR STEVIE,

868
00:23:20,467 --> 00:23:23,133
I'D STILL BE STRIPPING."

869
00:23:23,133 --> 00:23:24,067
I GREW UP POOR.

870
00:23:24,067 --> 00:23:26,400
I WAS ONE OF SIX KIDS.

871
00:23:26,400 --> 00:23:27,967
MY MOM WAS ON DRUGS FOR 25

872
00:23:27,967 --> 00:23:28,733
YEARS.

873
00:23:28,733 --> 00:23:30,367
I RAN AWAY FROM HOME WHEN I WAS

874
00:23:30,367 --> 00:23:31,567
12 YEARS OLD.

875
00:23:31,567 --> 00:23:33,267
AND I LEARNED HOW TO SURVIVE.

876
00:23:33,267 --> 00:23:34,933
I HATED THOSE MEN THAT TOOK CARE

877
00:23:34,933 --> 00:23:35,800
OF ME.

878
00:23:35,800 --> 00:23:37,233
I'M JUST GLAD THAT I ENDED UP IN

879
00:23:37,233 --> 00:23:40,400
THE STRIP CLUB AND NOT DEAD.

880
00:23:40,400 --> 00:23:41,400
I JUST HAD TO TAKE CARE OF

881
00:23:41,400 --> 00:23:43,433
MYSELF.

882
00:23:43,433 --> 00:23:44,200
HEY, YOU KNOW, I DON'T--

883
00:23:44,200 --> 00:23:45,400
THAT WAS THE ONLY WAY I KNEW

884
00:23:45,400 --> 00:23:48,367
HOW TO GET SOME FAST MONEY.

885
00:23:48,367 --> 00:23:50,533
SO I'M JUST LIKE--IF SOMEBODY

886
00:23:50,533 --> 00:23:51,533
CHANGED YOUR LIFE IN FOUR OR

887
00:23:51,533 --> 00:23:53,367
FIVE MONTHS, WHAT YOU GONNA DO?

888
00:23:53,367 --> 00:23:54,167
YOU GONNA BE IN LOVE TOO.

889
00:23:54,167 --> 00:23:55,267
I DON'T CARE WHAT NOBODY SAYS,

890
00:23:55,267 --> 00:23:56,433
WHETHER YOU'RE HAVING SEX WITH

891
00:23:56,433 --> 00:23:57,467
THAT PERSON OR NOT.

892
00:23:57,467 --> 00:23:59,733
AND NINE TIMES OUT OF TEN, YOU

893
00:23:59,733 --> 00:24:01,100
WILL BE HAVING SEX WITH THAT

894
00:24:01,100 --> 00:24:02,133
PERSON, FOR THAT PERSON'S

895
00:24:02,133 --> 00:24:03,167
CHANGED YOUR LIFE SO FAST.

896
00:24:03,167 --> 00:24:04,067
YOU KNOW WHAT I'M SAYING?

897
00:24:04,067 --> 00:24:04,667
WHY DID YOU KEEP THIS

898
00:24:04,667 --> 00:24:05,500
SUCH A SECRET?

899
00:24:05,500 --> 00:24:06,867
I DIDN'T EVEN KNOW ABOUT THIS.

900
00:24:06,867 --> 00:24:08,067
STEVIE USED TO ALWAYS TELL

901
00:24:08,067 --> 00:24:09,467
ME, "YOU TELL PEOPLE THAT WE'RE

902
00:24:09,467 --> 00:24:11,433
HAVING SEX, YOUR CAREER'S OVER."

903
00:24:11,433 --> 00:24:13,367
IF I TELL ANYONE, HE'S NOT GONNA

904
00:24:13,367 --> 00:24:15,200
WORK WITH ME ANYMORE.

905
00:24:15,200 --> 00:24:17,200
DO I STAY TRUE TO MYSELF AND

906
00:24:17,200 --> 00:24:20,100
JUST GO AHEAD AND TELL WHAT'S

907
00:24:20,100 --> 00:24:20,767
GOING ON?

908
00:24:20,767 --> 00:24:22,433
OR DO I CHOOSE MY CAREER AND

909
00:24:22,433 --> 00:24:24,133
JUST KEEP QUIET?

910
00:24:24,133 --> 00:24:25,467
I JUST CANNOT BELIEVE THIS.

911
00:24:25,467 --> 00:24:26,933
AND I TOLD YOU HOW HE WAS,

912
00:24:26,933 --> 00:24:29,600
AND THEN ON TOP OF THAT, DIDN'T

913
00:24:29,600 --> 00:24:30,733
YOU TELL ME THAT MIMI ALSO HAS

914
00:24:30,733 --> 00:24:33,067
A CHILD BY HIM?

915
00:24:33,067 --> 00:24:34,067
YOU NEED TO SIT DOWN, AND YOU

916
00:24:34,067 --> 00:24:35,367
NEED TO TALK TO MIMI.

917
00:24:35,367 --> 00:24:36,900
YOU NEED TO TALK TO STEVIE ABOUT

918
00:24:36,900 --> 00:24:37,833
THE SITUATION 'CAUSE IT'S

919
00:24:37,833 --> 00:24:38,767
AFFECTING YOU.

920
00:24:38,767 --> 00:24:40,133
THEY'RE LIVING THEIR LIVES.

921
00:24:40,133 --> 00:24:41,733
MIMI PROBABLY DON'T EVEN KNOW

922
00:24:41,733 --> 00:24:43,100
WHAT THE HELL IS GOING ON.

923
00:24:43,100 --> 00:24:45,633
STEVIE OUT HERE JUST DOING HIM.

924
00:24:45,633 --> 00:24:47,933
YOU'RE HURTING RIGHT NOW.

925
00:24:47,933 --> 00:24:49,933
MY NEXT QUESTION IS TO YOU, WHAT

926
00:24:49,933 --> 00:24:51,267
ARE YOU GONNA DO ABOUT THE BABY?

927
00:24:51,267 --> 00:24:52,267
* SAY YOU WANT TO GIVE

928
00:24:52,267 --> 00:24:53,733
♪ BUT ALL YOU DO IS TAKE

929
00:24:53,733 --> 00:24:55,400
♪ TAKE AWAY JOY

930
00:24:55,400 --> 00:24:57,067
♪ LEAVING ME IN PAIN

931
00:24:57,067 --> 00:24:58,733
♪ I DON'T WANT TO DROWN ♪

932
00:24:58,733 --> 00:25:00,567
♪ IN YOUR STORM

933
00:25:00,567 --> 00:25:02,067
I'M JUST GONNA HAVE TO DO

934
00:25:02,067 --> 00:25:03,067
WHAT I HAVE TO DO.

935
00:25:03,067 --> 00:25:04,233
* WELL, I'VE GIVEN ALL ♪

936
00:25:04,233 --> 00:25:05,800
♪ I CAN GIVE

937
00:25:05,800 --> 00:25:06,800
♪ AND IT SEE THAT

938
00:25:06,800 --> 00:25:08,567
♪ IT'S NOT WORKING ♪

939
00:25:08,567 --> 00:25:10,067
♪ AND I KNEW THAT THIS...

940
00:25:10,067 --> 00:25:10,900
BITCH?

941
00:25:10,900 --> 00:25:11,833
YES, "BITCH."

942
00:25:11,833 --> 00:25:12,867
THAT'S WHAT HE CALLED ME.

943
00:25:12,867 --> 00:25:14,433
I WANT TO PUT THEM PAWS ON.

944
00:25:14,433 --> 00:25:15,367
YOU DIG THAT?

945
00:25:15,367 --> 00:25:18,367
THIS GIRL REALLY IS A PIECE

946
00:25:18,367 --> 00:25:19,167
OF WORK.

947
00:25:19,167 --> 00:25:20,200
IF YOU KEEP ON DOING

948
00:25:20,200 --> 00:25:21,733
SOMETHING TO ME, I'MA SEE YOU

949
00:25:21,733 --> 00:25:23,700
FOR IT.

950
00:25:33,200 --> 00:25:35,200
HOW YOU DOING SO FAR?

951
00:25:35,200 --> 00:25:35,867
PRETTY GOOD?

952
00:25:35,867 --> 00:25:37,667
I'M GETTING THERE.

953
00:25:37,667 --> 00:25:38,567
OH, WOW.

954
00:25:38,567 --> 00:25:40,067
I'M GETTING THERE.

955
00:25:40,067 --> 00:25:40,967
YOU GOT A LITTLE WAYS TO GO.

956
00:25:40,967 --> 00:25:42,067
I LOVE SCRAPPY.

957
00:25:42,067 --> 00:25:43,433
AND WE'VE BEEN THROUGH SO MUCH.

958
00:25:43,433 --> 00:25:44,433
WE'RE A UNIT.

959
00:25:44,433 --> 00:25:45,300
WE'RE A FAMILY UNIT.

960
00:25:45,300 --> 00:25:47,467
BUT WITH HIM MOVING OUT, WE'RE

961
00:25:47,467 --> 00:25:48,533
GONNA BE TOGETHER BECAUSE WE

962
00:25:48,533 --> 00:25:50,267
WANT TO BE TOGETHER, NOT BECAUSE

963
00:25:50,267 --> 00:25:51,900
WE WERE PUT IN THAT SITUATION.

964
00:25:51,900 --> 00:25:53,633
I WAS KIND OF KEEPING SOMETHING

965
00:25:53,633 --> 00:25:54,300
FROM YOU.

966
00:25:54,300 --> 00:25:55,233
I DIDN'T KNOW HOW YOU WAS GONNA

967
00:25:55,233 --> 00:25:56,167
TAKE IT.

968
00:25:56,167 --> 00:25:57,167
WHAT?

969
00:25:57,167 --> 00:25:59,167
BUT I HAD A LITTLE INCIDENT.

970
00:25:59,167 --> 00:26:01,100
TAKE YOUR FRIENDS WITH YOU.

971
00:26:01,100 --> 00:26:01,800
[laughing]

972
00:26:01,800 --> 00:26:02,567
THAT'S YOUR FRIEND.

973
00:26:02,567 --> 00:26:03,267
TAKE HIM WITH YOU.

974
00:26:03,267 --> 00:26:04,633
THAT'S YOUR COUSIN, OPIE.

975
00:26:04,633 --> 00:26:06,300
[laughing]

976
00:26:06,300 --> 00:26:07,333
SHUT UP, FOOL.

977
00:26:07,333 --> 00:26:10,167
BUT WHEN I HAD MET UP WITH THE

978
00:26:10,167 --> 00:26:11,067
GIRLS...

979
00:26:11,067 --> 00:26:11,967
MM-HMM.

980
00:26:11,967 --> 00:26:15,600
I KIND OF HAD A RUDE

981
00:26:15,600 --> 00:26:16,800
INTRODUCTION, I GUESS, TO

982
00:26:16,800 --> 00:26:18,233
STEVIE J.

983
00:26:18,233 --> 00:26:20,467
HEARD A LOT ABOUT HIM.

984
00:26:20,467 --> 00:26:21,633
OH, REALLY?

985
00:26:21,633 --> 00:26:22,367
YEAH.

986
00:26:22,367 --> 00:26:24,600
ANYHOO, WE AT THE TABLE,

987
00:26:24,600 --> 00:26:25,267
TALKING.

988
00:26:25,267 --> 00:26:26,667
AND HIS BABY MAMA SITTING NEXT

989
00:26:26,667 --> 00:26:27,367
TO ME.

990
00:26:27,367 --> 00:26:29,067
AND HE'S TRYING TO GET HER TO

991
00:26:29,067 --> 00:26:30,367
GIVE HIM A KISS.

992
00:26:30,367 --> 00:26:31,200
SHE'S JUST LIKE,

993
00:26:31,200 --> 00:26:32,867
"I'M COOL, YOU KNOW?

994
00:26:32,867 --> 00:26:34,200
I'LL TALK TO YOU LATER."

995
00:26:34,200 --> 00:26:35,800
SHE WOULDN'T GIVE HIM NO

996
00:26:35,800 --> 00:26:36,533
KISS?

997
00:26:36,533 --> 00:26:37,933
NO.

998
00:26:37,933 --> 00:26:38,600
SHE WOULDN'T.

999
00:26:38,600 --> 00:26:39,400
WHY SHE DIDN'T GIVE HIM NO

1000
00:26:39,400 --> 00:26:40,067
KISS?

1001
00:26:40,067 --> 00:26:41,067
I DON'T KNOW.

1002
00:26:41,067 --> 00:26:42,433
I'M JUST--I'M SITTING THERE

1003
00:26:42,433 --> 00:26:43,100
LOOKING.

1004
00:26:43,100 --> 00:26:46,133
AND HE'S BEING, LIKE, AGGRESSIVE

1005
00:26:46,133 --> 00:26:48,067
WITH IT, LIKE, "YO, MA, GIVE ME

1006
00:26:48,067 --> 00:26:49,267
KISS."

1007
00:26:49,267 --> 00:26:50,667
SO SHE DIDN'T GIVE HIM A KISS.

1008
00:26:50,667 --> 00:26:52,067
HE WALKS OFF AND WHATNOT.

1009
00:26:52,067 --> 00:26:54,200
I'M LIKE, "YO, MA, GIVE ME

1010
00:26:54,200 --> 00:26:55,067
KISS."

1011
00:26:55,067 --> 00:26:57,167
SO I GUESS HE WAS OFFENDED.

1012
00:26:57,167 --> 00:26:58,800
YOU KNOW, HE HEARD ME MOCKING

1013
00:26:58,800 --> 00:26:59,467
HIM.

1014
00:26:59,467 --> 00:27:00,800
HE COMES TRUCKING ON ALONG BACK

1015
00:27:00,800 --> 00:27:01,667
TO THE TABLE.

1016
00:27:01,667 --> 00:27:03,300
AND HE WAS LIKE, "WHAT THE

1017
00:27:03,300 --> 00:27:04,067
[bleep] YOU SAY?"

1018
00:27:04,067 --> 00:27:05,133
WHOA.

1019
00:27:05,133 --> 00:27:06,200
YOU KNOW ME--SLOW-MOTION,

1020
00:27:06,200 --> 00:27:07,500
LIKE, "WHAT?"

1021
00:27:07,500 --> 00:27:09,200
WHAT THE [bleep]?

1022
00:27:09,200 --> 00:27:10,367
EXACTLY WHAT YOU SAID.

1023
00:27:10,367 --> 00:27:12,067
HE WAS LIKE, "NO, BITCH, WHAT

1024
00:27:12,067 --> 00:27:13,067
THE [bleep] DID YOU SAY?"

1025
00:27:13,067 --> 00:27:13,867
"BITCH"?

1026
00:27:13,867 --> 00:27:14,800
YES, "BITCH."

1027
00:27:14,800 --> 00:27:16,067
WOW.

1028
00:27:16,067 --> 00:27:17,067
MM-HMM, THAT'S WHAT HE CALLED

1029
00:27:17,067 --> 00:27:17,800
ME.

1030
00:27:17,800 --> 00:27:18,600
DID HE KNOW YOU PRIOR TO

1031
00:27:18,600 --> 00:27:19,500
THEN?

1032
00:27:19,500 --> 00:27:20,233
NO.

1033
00:27:20,233 --> 00:27:20,900
I DON'T KNOW HIM.

1034
00:27:20,900 --> 00:27:21,800
SO HE JUST COME DOWN HERE

1035
00:27:21,800 --> 00:27:23,867
AND JUST THINK IT'S COOL

1036
00:27:23,867 --> 00:27:25,633
TO, YOU KNOW, NOT KNOW A CHICK--

1037
00:27:25,633 --> 00:27:27,067
[bleep] CAN GET KILLED LIKE

1038
00:27:27,067 --> 00:27:27,967
THAT--YOU FEEL ME?

1039
00:27:27,967 --> 00:27:28,700
'CAUSE YOU DON'T KNOW.

1040
00:27:28,700 --> 00:27:29,867
THIS IS LIKE SOMEBODY WALKING UP

1041
00:27:29,867 --> 00:27:31,667
TO YOUR MAMA, AND YOU CUSS OUT.

1042
00:27:31,667 --> 00:27:32,333
NEXT THING YOU KNOW,

1043
00:27:32,333 --> 00:27:33,100
YOUR DONG PIECE IS ON

1044
00:27:33,100 --> 00:27:33,900
THE GROUND SOMEWHERE.

1045
00:27:33,900 --> 00:27:34,667
YOU FEEL ME?

1046
00:27:34,667 --> 00:27:36,200
I THINK I DESERVE AN APOLOGY,

1047
00:27:36,200 --> 00:27:37,700
LIKE, FOR REAL.

1048
00:27:37,700 --> 00:27:38,467
HE NEEDS TO APOLOGIZE TO ME.

1049
00:27:38,467 --> 00:27:39,133
OH, NO, WE GONNA GET AN

1050
00:27:39,133 --> 00:27:39,800
APOLOGY.

1051
00:27:39,800 --> 00:27:40,467
WE GONNA GET MORE THAN AN

1052
00:27:40,467 --> 00:27:41,133
APOLOGY.

1053
00:27:41,133 --> 00:27:41,900
LIKE, I WANT TO ROUGH HIM UP,

1054
00:27:41,900 --> 00:27:42,900
THOUGH--YOU FEEL ME?

1055
00:27:42,900 --> 00:27:44,400
I WANT TO PUT THEM PAWS ON HIM.

1056
00:27:44,400 --> 00:27:45,067
YOU DIG THAT?

1057
00:27:45,067 --> 00:27:45,800
YOU KNOW WHAT I'M SAYING?

1058
00:27:45,800 --> 00:27:46,800
JUST FOR--YOU KNOW WHAT

1059
00:27:46,800 --> 00:27:48,133
I'M SAYING--GETTING OUT OF LINE,

1060
00:27:48,133 --> 00:27:49,133
TALKING ABOUT "BITCH," AND

1061
00:27:49,133 --> 00:27:49,867
YOU DON'T EVEN KNOW WHO YOU

1062
00:27:49,867 --> 00:27:50,533
TALKING TO.

1063
00:27:50,533 --> 00:27:51,867
I CAN'T EVEN LET THAT SLIDE.

1064
00:27:51,867 --> 00:27:52,800
THAT'S WHERE I'M AT WITH IT.

1065
00:27:52,800 --> 00:27:54,133
I DONE PICKED UP TOO MANY

1066
00:27:54,133 --> 00:27:55,367
BOXES--YOU FEEL ME?

1067
00:27:55,367 --> 00:27:57,400
I'M MAD.

1068
00:27:57,400 --> 00:27:59,100
I'M AT THAT SUCKER [bleep]--

1069
00:27:59,100 --> 00:28:01,533
YOU FEEL ME--ON EVERYTHING.

1070
00:28:01,533 --> 00:28:02,833
I'M ON PROBATION, MAN.

1071
00:28:02,833 --> 00:28:03,567
AIN'T TRYING TO GET INTO

1072
00:28:03,567 --> 00:28:05,900
NO DRAMA, NO ALTERCATIONS,

1073
00:28:05,900 --> 00:28:08,233
BUT HOMEBOY, MR. STEVIE,

1074
00:28:08,233 --> 00:28:09,800
WHOEVER HE IS, DEFINITELY GONNA

1075
00:28:09,800 --> 00:28:11,467
GET A VISIT FROM YOUR BOY.

1076
00:28:11,467 --> 00:28:13,867
I'M GONNA BE VERY POLITICALLY

1077
00:28:13,867 --> 00:28:15,600
HOOD-CORRECT ABOUT IT WHEN I

1078
00:28:15,600 --> 00:28:16,500
CHECK HIM, WHEN I CHECK HIS

1079
00:28:16,500 --> 00:28:17,200
TALK.

1080
00:28:17,200 --> 00:28:18,267
"POLITICALLY HOOD-CORRECT"?

1081
00:28:18,267 --> 00:28:19,833
POLITICALLY HOOD-CORRECT.

1082
00:28:19,833 --> 00:28:21,333
YOU FEEL ME--REAL SPIFF.

1083
00:28:21,333 --> 00:28:23,333
ALL RIGHT.

1084
00:28:28,800 --> 00:28:30,067
AFTER MY SHOWCASE, I WENT TO

1085
00:28:30,067 --> 00:28:32,067
GO VISIT ARIANE.

1086
00:28:32,067 --> 00:28:33,300
THAT'S MY GIRL, AND I KNOW SHE'S

1087
00:28:33,300 --> 00:28:35,333
GONNA KEEP IT REAL WITH ME.

1088
00:28:35,333 --> 00:28:37,367
HEY.

1089
00:28:37,367 --> 00:28:38,800
[laughing]

1090
00:28:38,800 --> 00:28:40,200
I WANTED TO GET HER TRUE OPINION

1091
00:28:40,200 --> 00:28:41,267
ON THE SHOWCASE.

1092
00:28:41,267 --> 00:28:42,500
I THINK YOU WERE AMAZING.

1093
00:28:42,500 --> 00:28:43,400
I SHOULD HAVE DROPPED IT

1094
00:28:43,400 --> 00:28:44,333
A LITTLE BIT, LIKE--

1095
00:28:44,333 --> 00:28:45,233
NO, I SAID--

1096
00:28:45,233 --> 00:28:46,067
REALLY?

1097
00:28:46,067 --> 00:28:47,567
"HMM, MAMA UP THERE SINGING

1098
00:28:47,567 --> 00:28:49,100
FOR HER LIFE, HEY, NOW."

1099
00:28:49,100 --> 00:28:49,933
[laughing and clapping]

1100
00:28:49,933 --> 00:28:50,967
GIRL, HERE'S FOR MY LIFE.

1101
00:28:50,967 --> 00:28:52,800
YOU DID GOOD.

1102
00:28:52,800 --> 00:28:53,400
I WAS PROUD OF YOU.

1103
00:28:53,400 --> 00:28:54,800
NO, BUT, OUT OF ALL THE GOOD

1104
00:28:54,800 --> 00:28:56,133
STUFF...

1105
00:28:56,133 --> 00:28:57,067
MM-HMM.

1106
00:28:57,067 --> 00:28:57,833
I WANTED TO GIVE YOU THE

1107
00:28:57,833 --> 00:29:01,300
REAL "T" ON A SITUATION THAT'S

1108
00:29:01,300 --> 00:29:02,233
BOTHERING ME.

1109
00:29:02,233 --> 00:29:03,100
WITH WHO?

1110
00:29:03,100 --> 00:29:04,433
KARLIE.

1111
00:29:04,433 --> 00:29:06,567
SHE WALKS UP TO B. COX,

1112
00:29:06,567 --> 00:29:07,967
MY PRODUCER, AND SAY,

1113
00:29:07,967 --> 00:29:09,133
"YOU KNOW, I WANT TO WORK WITH

1114
00:29:09,133 --> 00:29:11,433
YOU OR WHATEVER, BUT YOU MESSING

1115
00:29:11,433 --> 00:29:13,067
WITH THE WRONG ARTIST."

1116
00:29:13,067 --> 00:29:15,767
YOU CAME INTO MY EVENT WITH MY

1117
00:29:15,767 --> 00:29:17,467
PEOPLE, AND YOU BE ON SOME

1118
00:29:17,467 --> 00:29:18,533
BULLCRAP LIKE THAT?

1119
00:29:18,533 --> 00:29:22,900
YOU TOLD MY PRODUCER THAT HE

1120
00:29:22,900 --> 00:29:24,400
SIGNED THE WRONG ARTIST.

1121
00:29:24,400 --> 00:29:29,100
HONEY, LAST TIME I CHECKED,

1122
00:29:29,100 --> 00:29:30,133
PEOPLE AIN'T THROWING OUT RECORD

1123
00:29:30,133 --> 00:29:32,567
DEALS TO 50-YEAR-OLD ASPIRING

1124
00:29:32,567 --> 00:29:34,767
ARTISTS WITHOUT EVEN A WIKIPEDIA

1125
00:29:34,767 --> 00:29:35,733
PAGE.

1126
00:29:35,733 --> 00:29:37,300
YOU 50.

1127
00:29:37,300 --> 00:29:38,833
YOU NEED TO BE PREPARING FOR

1128
00:29:38,833 --> 00:29:39,800
RETIREMENT OR SOMETHING.

1129
00:29:39,800 --> 00:29:42,933
BUT YOU WORRIED ABOUT ME.

1130
00:29:42,933 --> 00:29:44,200
I DON'T UNDERSTAND KARLIE

1131
00:29:44,200 --> 00:29:44,900
AT ALL.

1132
00:29:44,900 --> 00:29:45,767
LIKE, IT WAS, LIKE, TO HURT YOUR

1133
00:29:45,767 --> 00:29:47,100
FEELINGS, TO HURT MIMI'S

1134
00:29:47,100 --> 00:29:47,767
FEELINGS.

1135
00:29:47,767 --> 00:29:48,767
IT WAS JUST--

1136
00:29:48,767 --> 00:29:49,633
MIMI?

1137
00:29:49,633 --> 00:29:50,567
[clicks tongue]

1138
00:29:50,567 --> 00:29:52,233
SOME GIRL WHO USED TO [bleep]

1139
00:29:52,233 --> 00:29:53,267
WITH STEVIE I GUESS--I DON'T

1140
00:29:53,267 --> 00:29:54,067
KNOW--SHE WAS THERE.

1141
00:29:54,067 --> 00:29:55,133
AND SHE KIND OF, LIKE, POINTED

1142
00:29:55,133 --> 00:29:55,833
IT OUT.

1143
00:29:55,833 --> 00:29:57,800
SO I'M STILL SITTING IN THE

1144
00:29:57,800 --> 00:29:59,067
MIDDLE LIKE, "WHAT THE [bleep]

1145
00:29:59,067 --> 00:30:00,100
IS WRONG WITH THIS GIRL?"

1146
00:30:00,100 --> 00:30:00,833
WHAT DID SHE SAY TO MIMI?

1147
00:30:00,833 --> 00:30:01,933
I DON'T REMEMBER IT VERBATIM,

1148
00:30:01,933 --> 00:30:04,967
BUT I JUST KNOW IT WAS TO THE

1149
00:30:04,967 --> 00:30:06,467
POINT WHERE IT PISSED MIMI OFF.

1150
00:30:06,467 --> 00:30:08,100
LIKE, IT GOT TO HER.

1151
00:30:08,100 --> 00:30:09,133
I WANT MIMI TO GET OUT AND

1152
00:30:09,133 --> 00:30:10,233
HAVE A GOOD TIME.

1153
00:30:10,233 --> 00:30:12,067
BUT WHEN YOU DISRESPECT FAMILY,

1154
00:30:12,067 --> 00:30:13,933
FRIENDS, BUSINESS, ANY OF THAT--

1155
00:30:13,933 --> 00:30:14,700
I FELT LIKE IT WAS VERY

1156
00:30:14,700 --> 00:30:15,533
DISRESPECTFUL OF HER.

1157
00:30:15,533 --> 00:30:16,267
IT IS DISRESPECTFUL.

1158
00:30:16,267 --> 00:30:17,267
VERY.

1159
00:30:17,267 --> 00:30:18,467
I HOPE SOMEBODY GIVE HER SOME

1160
00:30:18,467 --> 00:30:19,833
KIND OF JOB, THE NATIONAL

1161
00:30:19,833 --> 00:30:22,167
ENQUIRER, OR SOMEBODY

1162
00:30:22,167 --> 00:30:23,833
GIVE HER A CHECK, BECAUSE

1163
00:30:23,833 --> 00:30:25,833
SHE'S IN EVERYBODY'S BUSINESS

1164
00:30:25,833 --> 00:30:27,033
BUT HER OWN.

1165
00:30:27,033 --> 00:30:28,567
AND SHE GOT ENOUGH BUSINESS.

1166
00:30:28,567 --> 00:30:29,800
SHE WALKING AROUND HERE WITH A

1167
00:30:29,800 --> 00:30:31,300
DEFLATED ASS CHEEK.

1168
00:30:31,300 --> 00:30:34,233
SHE SHOULD DEAL WITH THAT FIRST.

1169
00:30:34,233 --> 00:30:36,933
THIS GIRL REALLY IS A PIECE

1170
00:30:36,933 --> 00:30:37,800
OF WORK.

1171
00:30:37,800 --> 00:30:39,800
THAT GIRL CAME TO BE MESSY,

1172
00:30:39,800 --> 00:30:41,533
MESSY, MESSY.

1173
00:30:41,533 --> 00:30:42,367
AT THE END, THOUGH--

1174
00:30:42,367 --> 00:30:43,833
HER FACE IS MESSY.

1175
00:30:43,833 --> 00:30:45,233
HER CLOTHES ARE MESSY.

1176
00:30:45,233 --> 00:30:46,900
HER JEWELRY IS MESSY.

1177
00:30:46,900 --> 00:30:48,533
HER ATTITUDE IS MESSY.

1178
00:30:48,533 --> 00:30:50,800
HER ASS IS LOPSIDED AND MESSY.

1179
00:30:50,800 --> 00:30:52,900
WHAT YOU NOT GONNA DO IS BRING

1180
00:30:52,900 --> 00:30:54,833
ALL THAT [bleep] AROUND ME.

1181
00:30:54,833 --> 00:30:56,433
IF YOU KEEP ON DOING SOMETHING

1182
00:30:56,433 --> 00:30:58,133
TO ME, I'MA SEE YOU FOR IT.

1183
00:30:58,133 --> 00:31:00,133
AND THAT'S ME.

1184
00:31:00,133 --> 00:31:01,867
YOU'RE A STRIPPER AND NOW YOU

1185
00:31:01,867 --> 00:31:02,533
PREGNANT BY HIM?

1186
00:31:02,533 --> 00:31:03,200
YES.

1187
00:31:03,200 --> 00:31:04,067
DO YOU EVEN KNOW WHO YOU

1188
00:31:04,067 --> 00:31:04,667
PREGNANT BY?

1189
00:31:04,667 --> 00:31:05,467
>> I'LL SEND YOU BACK TO THE

1190
00:31:05,467 --> 00:31:06,133
STRIP CLUB.

1191
00:31:06,133 --> 00:31:07,167
YOU WOULD NEVER SEND ME BACK

1192
00:31:07,167 --> 00:31:08,067
TO THE STRIP CLUB, 'CAUSE I'M

1193
00:31:08,067 --> 00:31:10,067
NOT GOING BACK.

1194
00:31:19,700 --> 00:31:20,867
HI.

1195
00:31:20,867 --> 00:31:21,600
HOW ARE YOU?

1196
00:31:21,600 --> 00:31:22,633
I'M GREAT.

1197
00:31:22,633 --> 00:31:23,400
GOOD TO SEE YOU.

1198
00:31:23,400 --> 00:31:25,367
AT MY SHOWCASE, I FELT LIKE

1199
00:31:25,367 --> 00:31:29,067
I DID AMAZING, BUT SINGING GOOD

1200
00:31:29,067 --> 00:31:30,567
IS ONLY HALF THE BATTLE.

1201
00:31:30,567 --> 00:31:33,533
EVERYBODY WAS EXCITED, YOU KNOW?

1202
00:31:33,533 --> 00:31:34,400
I DID GOOD.

1203
00:31:34,400 --> 00:31:35,933
AND NOW I'M JUST LIKE,

1204
00:31:35,933 --> 00:31:36,867
"WHAT'S GOING ON?

1205
00:31:36,867 --> 00:31:39,433
WHAT DO I NEED TO DO TO MOVE

1206
00:31:39,433 --> 00:31:41,067
FORWARD?"

1207
00:31:41,067 --> 00:31:42,067
WERE THERE A LOT OF PEOPLE

1208
00:31:42,067 --> 00:31:42,667
THERE?

1209
00:31:42,667 --> 00:31:43,667
UH-HUH, BUT THEY WEREN'T

1210
00:31:43,667 --> 00:31:44,533
THE PEOPLE THAT COULD REALLY

1211
00:31:44,533 --> 00:31:45,600
MAKE NO MOVES.

1212
00:31:45,600 --> 00:31:46,433
THEY WEREN'T LIKE THE PEOPLE

1213
00:31:46,433 --> 00:31:47,433
THAT YOU GET TO.

1214
00:31:47,433 --> 00:31:49,200
JEFF ROBINSON IS THE GO-TO GUY

1215
00:31:49,200 --> 00:31:50,667
WHEN YOU WANT TO MAKE IT AND YOU

1216
00:31:50,667 --> 00:31:51,933
WANT YOUR BRAND TO BE BUILT.

1217
00:31:51,933 --> 00:31:53,067
HE'S RESPONSIBLE FOR

1218
00:31:53,067 --> 00:31:55,300
ALICIA KEYS, TYRESE, LOT OF BIG

1219
00:31:55,300 --> 00:31:56,967
ACTS IN THE MUSIC INDUSTRY.

1220
00:31:56,967 --> 00:31:58,700
HE'S ALSO KNOWN FOR BUILDING NEW

1221
00:31:58,700 --> 00:31:59,367
ARTISTS.

1222
00:31:59,367 --> 00:32:01,167
THAT'S EXACTLY WHAT I NEED.

1223
00:32:01,167 --> 00:32:02,867
I NEED MANAGEMENT.

1224
00:32:02,867 --> 00:32:05,467
I NEED MY SITUATION RIGHT.

1225
00:32:05,467 --> 00:32:07,133
WELL, YOU KNOW, WHEN YOU

1226
00:32:07,133 --> 00:32:09,433
FIRST CAME TO MY OFFICE, ONE OF

1227
00:32:09,433 --> 00:32:10,700
THE FORMER EMPLOYEES OF YOUR

1228
00:32:10,700 --> 00:32:12,700
LABEL SAID TO ME, "JEFF, YOU

1229
00:32:12,700 --> 00:32:14,700
MESSING WITH THAT?

1230
00:32:14,700 --> 00:32:15,767
SHE'S CRAZIER THAN A BAG OF

1231
00:32:15,767 --> 00:32:16,433
HAMMERS, YOU KNOW?"

1232
00:32:16,433 --> 00:32:17,267
WELL, DO HE STILL GOT A JOB?

1233
00:32:17,267 --> 00:32:18,433
THE FACT OF THE MATTER IS

1234
00:32:18,433 --> 00:32:21,933
THAT HE MAY GET ANOTHER JOB,

1235
00:32:21,933 --> 00:32:23,433
BUT YOU MAY NOT GET ANOTHER

1236
00:32:23,433 --> 00:32:25,967
RECORD DEAL.

1237
00:32:25,967 --> 00:32:27,567
THAT RECORD DEAL THAT YOU HAD

1238
00:32:27,567 --> 00:32:30,100
WAS AN OPPORTUNITY FOR YOU TO

1239
00:32:30,100 --> 00:32:30,867
BUILD SOMETHING.

1240
00:32:30,867 --> 00:32:31,733
YEAH.

1241
00:32:31,733 --> 00:32:32,900
TO THE PUBLIC AT LARGE AND

1242
00:32:32,900 --> 00:32:34,467
YOUR FAN BASE AND YOUR FAMILY AT

1243
00:32:34,467 --> 00:32:36,133
HOME, IT LOOKS LIKE YOU FAILED.

1244
00:32:36,133 --> 00:32:37,867
AND IT'S VERY UNFAIR.

1245
00:32:37,867 --> 00:32:39,233
THE ONLY REASON I STILL CAN EAT

1246
00:32:39,233 --> 00:32:41,500
AND I STILL BOOK SHOWS EVEN

1247
00:32:41,500 --> 00:32:43,200
WITHOUT A DEAL IS BECAUSE I'M

1248
00:32:43,200 --> 00:32:44,733
ONE OF THE MOST FAMOUS UNKNOWN

1249
00:32:44,733 --> 00:32:45,500
PEOPLE.

1250
00:32:45,500 --> 00:32:46,833
PEOPLE WALK AROUND SINGING MY

1251
00:32:46,833 --> 00:32:48,300
SONGS AND BE SINGING IT IN MY

1252
00:32:48,300 --> 00:32:49,267
FACE AND DON'T EVEN KNOW IT'S

1253
00:32:49,267 --> 00:32:50,067
ME.

1254
00:32:50,067 --> 00:32:51,600
WELL, BOOKING SHOWS IS NICE,

1255
00:32:51,600 --> 00:32:52,967
BUT THAT'LL DRY UP.

1256
00:32:52,967 --> 00:32:54,800
AND THEN YOU'LL BE THAT GIRL

1257
00:32:54,800 --> 00:32:56,567
WHO USED TO BE SOMEBODY THAT'S

1258
00:32:56,567 --> 00:32:57,633
TRYING TO GET IN THE CLUB,

1259
00:32:57,633 --> 00:32:58,933
THAT'S TRYING TO GET IN THE VIP

1260
00:32:58,933 --> 00:32:59,600
SECTION.

1261
00:32:59,600 --> 00:33:00,667
THEY'RE LIKE, "YO, WASN'T THAT

1262
00:33:00,667 --> 00:33:01,367
SUCH-AND-SUCH?"

1263
00:33:01,367 --> 00:33:03,067
YOU DON'T WANT TO BE THAT GIRL.

1264
00:33:03,067 --> 00:33:05,633
I MESSED UP A LOT IN MY LAST

1265
00:33:05,633 --> 00:33:06,500
RECORD DEAL.

1266
00:33:06,500 --> 00:33:07,467
I SHOULD HAVE JUST KEPT MY

1267
00:33:07,467 --> 00:33:09,500
HOT POCKET CLOSED AND JUST SANG.

1268
00:33:09,500 --> 00:33:11,333
SITTING THERE WITH JEFF, I

1269
00:33:11,333 --> 00:33:13,400
REALIZED AT THAT MOMENT HOW HIGH

1270
00:33:13,400 --> 00:33:14,633
THE STAKES WERE FOR ME AND MY

1271
00:33:14,633 --> 00:33:15,300
CAREER.

1272
00:33:15,300 --> 00:33:16,867
I WANT YOU TO CRY.

1273
00:33:16,867 --> 00:33:18,667
I WANT YOU TO UNDERSTAND WHY IT

1274
00:33:18,667 --> 00:33:20,400
HAPPENED AND MAKE SURE IT NEVER

1275
00:33:20,400 --> 00:33:21,867
HAPPENS AGAIN, BECAUSE YOU LEARN

1276
00:33:21,867 --> 00:33:22,633
FROM IT.

1277
00:33:22,633 --> 00:33:24,333
ONLY A CRAZY MAN MAKES THE SAME

1278
00:33:24,333 --> 00:33:25,067
MISTAKE TWICE.

1279
00:33:25,067 --> 00:33:26,300
WELL, I NEED HELP.

1280
00:33:26,300 --> 00:33:29,367
I NEED--I NEED YOU TO MANAGE ME.

1281
00:33:29,367 --> 00:33:31,433
I KNOW I NEED SOMEBODY THAT'S

1282
00:33:31,433 --> 00:33:32,267
RESPECTED.

1283
00:33:32,267 --> 00:33:33,300
I KNOW I NEED SOMEBODY THAT

1284
00:33:33,300 --> 00:33:35,233
KNOWS WHAT TO DO.

1285
00:33:35,233 --> 00:33:38,467
AND I KNOW I NEED HELP.

1286
00:33:38,467 --> 00:33:39,700
YOU CAN ALWAYS CALL UPON ME

1287
00:33:39,700 --> 00:33:40,867
FOR ADVICE, BUT I GOT TO KEEP IT

1288
00:33:40,867 --> 00:33:43,233
100% REAL.

1289
00:33:43,233 --> 00:33:44,467
IT'S NOT PROMISED TO YOU.

1290
00:33:44,467 --> 00:33:46,333
IF WE DECIDE TO WORK TOGETHER,

1291
00:33:46,333 --> 00:33:48,100
YOU GOT TO TAKE RESPONSIBILITY

1292
00:33:48,100 --> 00:33:49,333
FOR YOURSELF, AND YOU GOT TO

1293
00:33:49,333 --> 00:33:50,800
TAKE RESPONSIBILITY FOR YOUR

1294
00:33:50,800 --> 00:33:52,767
BRAND.

1295
00:33:59,600 --> 00:34:00,900
REUBEN IS RIGHT.

1296
00:34:00,900 --> 00:34:02,400
TIME TO SPEAK OUT.

1297
00:34:02,400 --> 00:34:03,567
I'M TIRED OF BEING THE OTHER

1298
00:34:03,567 --> 00:34:05,233
WOMAN WHILE MIMI AND STEVIE IS

1299
00:34:05,233 --> 00:34:06,600
JUST LIVING THIS REGULAR LIFE

1300
00:34:06,600 --> 00:34:09,100
LIKE NOTHING HAPPENED.

1301
00:34:09,100 --> 00:34:11,100
IF MIMI WANTS TO GET INVOLVED IN

1302
00:34:11,100 --> 00:34:12,867
HIS BUSINESS, I'LL GET HER

1303
00:34:12,867 --> 00:34:13,700
INVOLVED.

1304
00:34:13,700 --> 00:34:15,100
I'M GONNA GET STRAIGHT TO THE

1305
00:34:15,100 --> 00:34:15,900
POINT.

1306
00:34:15,900 --> 00:34:18,200
YOU KNOW--YOU AND I KNOW THAT

1307
00:34:18,200 --> 00:34:19,967
WHEN I FIRST MET HIM BACK IN

1308
00:34:19,967 --> 00:34:21,867
DECEMBER, HE DIDN'T COME HOME

1309
00:34:21,867 --> 00:34:23,433
FOR THREE MONTHS.

1310
00:34:23,433 --> 00:34:24,967
SO I'M GONNA JUST TELL YOU LIKE

1311
00:34:24,967 --> 00:34:27,067
THIS: I KNOW WHO BABY I HAVE IN

1312
00:34:27,067 --> 00:34:30,500
MY STOMACH, AND YOU KNOW TOO.

1313
00:34:30,500 --> 00:34:32,100
I'M DISGUSTED.

1314
00:34:32,100 --> 00:34:33,200
SHE'S TALKING ALL THIS [bleep]

1315
00:34:33,200 --> 00:34:33,967
TO ME.

1316
00:34:33,967 --> 00:34:36,133
I'M LIKE, "OKAY, JOSELINE, IF

1317
00:34:36,133 --> 00:34:37,600
YOU THINK I'M GONNA LOSE MY COOL

1318
00:34:37,600 --> 00:34:38,433
'CAUSE YOU TELL ME YOU'RE

1319
00:34:38,433 --> 00:34:40,700
PREGNANT BY STEVIE, IT'S NOT

1320
00:34:40,700 --> 00:34:41,367
GONNA HAPPEN.

1321
00:34:41,367 --> 00:34:42,967
BABY, YOU'RE NOT WORTH IT."

1322
00:34:42,967 --> 00:34:44,700
JOSELINE, I KNOW WHAT I'M

1323
00:34:44,700 --> 00:34:45,500
DEALING WITH...

1324
00:34:45,500 --> 00:34:46,200
OH.

1325
00:34:46,200 --> 00:34:47,067
WHEN IT COMES TO STEVIE.

1326
00:34:47,067 --> 00:34:47,800
I'M NOT A [bleep] FOOL.

1327
00:34:47,800 --> 00:34:49,933
I KNOW EXACTLY WHAT I GOT.

1328
00:34:49,933 --> 00:34:52,100
AS FAR AS YOU ARE CONCERNED,

1329
00:34:52,100 --> 00:34:54,800
YOU'RE A STRIPPER WHO'S TRYING

1330
00:34:54,800 --> 00:34:55,467
TO GET ON--

1331
00:34:55,467 --> 00:34:56,133
I WAS A STRIPPER.

1332
00:34:56,133 --> 00:34:56,900
AND I'M NOT TRYING TO GET--

1333
00:34:56,900 --> 00:34:57,800
I WAS A STRIPPER.

1334
00:34:57,800 --> 00:34:58,500
I HAVEN'T BEEN TO THE--

1335
00:34:58,500 --> 00:35:00,100
YOU [bleep] AROUND AND

1336
00:35:00,100 --> 00:35:01,667
GOT [bleep] EVERY WHICH WAY

1337
00:35:01,667 --> 00:35:02,500
FROM SUNDAY.

1338
00:35:02,500 --> 00:35:03,333
NOW YOU PREGNANT BY HIM?

1339
00:35:03,333 --> 00:35:04,067
YES.

1340
00:35:04,067 --> 00:35:04,767
DO YOU EVEN KNOW WHO YOU

1341
00:35:04,767 --> 00:35:05,433
PREGNANT BY?

1342
00:35:05,433 --> 00:35:06,233
I'M PREGNANT BY YOUR MAN.

1343
00:35:06,233 --> 00:35:06,900
I GET IT.

1344
00:35:06,900 --> 00:35:07,700
YOU WANT TO BE A STAR.

1345
00:35:07,700 --> 00:35:09,067
I GET IT.

1346
00:35:09,067 --> 00:35:10,867
YOU GET PREGNANT AND THIS, THAT,

1347
00:35:10,867 --> 00:35:13,767
AND--UH, BITCH, PLEASE.

1348
00:35:13,767 --> 00:35:14,900
THIS [bleep] PULLED YOU OUT OF

1349
00:35:14,900 --> 00:35:18,467
THE STRIP CLUB [bleep] IN VIP.

1350
00:35:18,467 --> 00:35:19,233
AT LEAST I KNOW WHAT I'M

1351
00:35:19,233 --> 00:35:19,900
DEALING WITH.

1352
00:35:19,900 --> 00:35:20,700
AND I'M GETTING MYSELF--

1353
00:35:20,700 --> 00:35:21,500
I KNOW EXACTLY WHAT YOU'RE

1354
00:35:21,500 --> 00:35:22,367
DEALING WITH TOO, SWEETHEART.

1355
00:35:22,367 --> 00:35:23,200
FOUR MONTHS. FOUR MONTHS.

1356
00:35:23,200 --> 00:35:24,067
THIS IS HIM, RIGHT HERE.

1357
00:35:24,067 --> 00:35:24,967
TRUST AND BELIEVE.

1358
00:35:24,967 --> 00:35:25,967
THIS IS HIM, RIGHT HERE,

1359
00:35:25,967 --> 00:35:27,100
TEXTING ME, SEE?

1360
00:35:27,100 --> 00:35:28,433
WHY IS HE TEXTING ME WHILE WE

1361
00:35:28,433 --> 00:35:29,133
TALKING?

1362
00:35:29,133 --> 00:35:30,133
AS WE'RE HAVING OUR

1363
00:35:30,133 --> 00:35:31,300
CONVERSATION, SHE SAYS THAT

1364
00:35:31,300 --> 00:35:33,133
HE'S SENDING HER TEXT MESSAGES.

1365
00:35:33,133 --> 00:35:34,233
SO I SAID, "WELL, TELL HIM TO

1366
00:35:34,233 --> 00:35:35,333
COME UP HERE."

1367
00:35:35,333 --> 00:35:36,300
I DON'T UNDERSTAND WHY I WAS AT

1368
00:35:36,300 --> 00:35:39,633
THIS "MEETING" BY MYSELF ANYWAY.

1369
00:35:41,700 --> 00:35:42,633
OH, THERE HE GO.

1370
00:35:42,633 --> 00:35:46,967
WHAT YOU LETTING HER KNOW?

1371
00:35:46,967 --> 00:35:47,967
WHAT'S GOING ON?

1372
00:35:47,967 --> 00:35:49,200
SHE TELLS ME SHE'S PREGNANT

1373
00:35:49,200 --> 00:35:49,867
BY YOU.

1374
00:35:49,867 --> 00:35:50,800
THAT'S WHAT SHE SAID?

1375
00:35:50,800 --> 00:35:51,667
THAT'S WHO I BE [bleep]

1376
00:35:51,667 --> 00:35:52,500
EVERY DAY.

1377
00:35:52,500 --> 00:35:53,167
I DON'T KNOW.

1378
00:35:53,167 --> 00:35:53,900
THIS IS WHO I [bleep]

1379
00:35:53,900 --> 00:35:54,800
EVERY DAY.

1380
00:35:54,800 --> 00:35:55,800
IT IS HIS BABY.

1381
00:35:55,800 --> 00:35:56,833
WHAT ARE YOU DOING WITH THAT?

1382
00:35:56,833 --> 00:36:00,067
I DON'T KNOW ANY MAN IN THEY

1383
00:36:00,067 --> 00:36:02,867
RIGHT [bleep] MIND WHO'S GONNA

1384
00:36:02,867 --> 00:36:05,567
CARRY AROUND THE NEXT BITCH'S

1385
00:36:05,567 --> 00:36:08,467
PREGNANCY TEST IN THEIR POCKET.

1386
00:36:08,467 --> 00:36:11,300
WHO DOES THAT?

1387
00:36:11,300 --> 00:36:12,633
SO WHEN'S THE LAST TIME YOU ALL

1388
00:36:12,633 --> 00:36:13,300
[bleep]?

1389
00:36:13,300 --> 00:36:14,333
ABOUT FIVE DAYS AGO.

1390
00:36:14,333 --> 00:36:15,067
A MONTH AGO.

1391
00:36:15,067 --> 00:36:15,667
ABOUT FIVE DAYS.

1392
00:36:15,667 --> 00:36:16,400
FIVE DAYS AGO?

1393
00:36:16,400 --> 00:36:17,067
FIVE DAYS AGO.

1394
00:36:17,067 --> 00:36:17,733
ABOUT A MONTH AGO.

1395
00:36:17,733 --> 00:36:18,567
I'M NOT GONNA ARGUE WITH HIM

1396
00:36:18,567 --> 00:36:19,233
ABOUT--

1397
00:36:19,233 --> 00:36:20,067
SO IF YOU [bleep] HER A MONTH

1398
00:36:20,067 --> 00:36:21,067
AGO, IT VERY WELL COULD BE YOUR

1399
00:36:21,067 --> 00:36:23,067
BABY, IF SHE'S PREGNANT, IF YOU

1400
00:36:23,067 --> 00:36:23,667
[bleep] A MONTH AGO.

1401
00:36:23,667 --> 00:36:24,500
I'M NOT ARGUING WITH YOU

1402
00:36:24,500 --> 00:36:25,500
ABOUT HOW I MADE--THE LAST TIME

1403
00:36:25,500 --> 00:36:26,167
I [bleep].

1404
00:36:26,167 --> 00:36:26,867
MAYBE.

1405
00:36:26,867 --> 00:36:27,633
THAT IS NOT EVEN THE CASE.

1406
00:36:27,633 --> 00:36:28,633
SO NOW IT'S "MAYBE."

1407
00:36:28,633 --> 00:36:29,867
I MEAN, IT'S BEEN A MONTH,

1408
00:36:29,867 --> 00:36:30,700
SO, YOU KNOW...

1409
00:36:30,700 --> 00:36:31,867
IT'S BEEN A MONTH, SO MAYBE.

1410
00:36:31,867 --> 00:36:33,700
THE PART THAT JUST REALLY

1411
00:36:33,700 --> 00:36:36,500
DISGUSTS ME IS, YOU'RE SLOPPY

1412
00:36:36,500 --> 00:36:37,933
AS [bleep].

1413
00:36:37,933 --> 00:36:39,167
YOU [bleep] THIS BITCH [bleep],

1414
00:36:39,167 --> 00:36:40,633
AND SHE COULD POTENTIALLY BE

1415
00:36:40,633 --> 00:36:41,667
PREGNANT BY YOU?

1416
00:36:41,667 --> 00:36:43,133
AND THEN YOU WANT TO COME HOME

1417
00:36:43,133 --> 00:36:44,067
AND LAY DOWN WITH ME?

1418
00:36:44,067 --> 00:36:45,233
REALLY?

1419
00:36:45,233 --> 00:36:46,333
THAT'S WHERE--

1420
00:36:46,333 --> 00:36:47,200
YOU THINK IT'S [bleep] CUTE.

1421
00:36:47,200 --> 00:36:47,867
THAT'S WHERE WE AT?

1422
00:36:47,867 --> 00:36:50,133
OBVIOUSLY, SHE'S PREGNANT.

1423
00:36:50,133 --> 00:36:51,567
IS SHE PREGNANT?

1424
00:36:51,567 --> 00:36:52,400
YOU GOT THE TEST IN YOUR

1425
00:36:52,400 --> 00:36:53,400
HAND.

1426
00:36:53,400 --> 00:36:54,400
DON'T [bleep] PLAY STUPID.

1427
00:36:54,400 --> 00:36:55,233
YOU GOT THE TEST IN YOUR

1428
00:36:55,233 --> 00:36:56,233
HAND; YOU CARRYING

1429
00:36:56,233 --> 00:36:57,133
THE [bleep] THING AROUND.

1430
00:36:57,133 --> 00:36:57,867
HEY, WATCH YOUR MOUTH.

1431
00:36:57,867 --> 00:36:58,700
DON'T PLAY STUPID, STUPID.

1432
00:36:58,700 --> 00:36:59,367
JOSELINE--

1433
00:36:59,367 --> 00:37:00,100
NAW, YOU CHILL.

1434
00:37:00,100 --> 00:37:00,767
YO, YOU CHILL.

1435
00:37:00,767 --> 00:37:01,767
GET YOUR HAND OUT OF MY FACE.

1436
00:37:01,767 --> 00:37:02,600
GOOD LUCK WITH YOUR BABY.

1437
00:37:02,600 --> 00:37:03,767
GET YOUR HAND OUT OF MY FACE.

1438
00:37:03,767 --> 00:37:04,767
GET YOUR [bleep] OUT OF MY FACE.

1439
00:37:04,767 --> 00:37:05,533
WHERE YOU GOING, MIMI?

1440
00:37:05,533 --> 00:37:06,200
COME HERE, MA.

1441
00:37:06,200 --> 00:37:06,867
GOOD LUCK.

1442
00:37:06,867 --> 00:37:08,267
TALK TO YOUR BITCH, AND HAVE A

1443
00:37:08,267 --> 00:37:09,867
GOOD NIGHT.

1444
00:37:09,867 --> 00:37:10,967
I'M GLAD THAT MIMI LEFT,

1445
00:37:10,967 --> 00:37:12,067
'CAUSE IT WAS SUPPOSED TO BE A

1446
00:37:12,067 --> 00:37:13,867
CONVERSATION THAT JOSELINE AND I

1447
00:37:13,867 --> 00:37:15,867
HAD BEFORE MIMI EVEN CAME INTO

1448
00:37:15,867 --> 00:37:16,767
THE PICTURE.

1449
00:37:16,767 --> 00:37:17,900
SO I'M GLAD SHE LEFT, 'CAUSE

1450
00:37:17,900 --> 00:37:20,867
I HAD TO HANDLE MY BUSINESS.

1451
00:37:20,867 --> 00:37:22,167
I GOT PAPERS ON YOU FOR THE REST

1452
00:37:22,167 --> 00:37:22,867
OF YOUR LIFE.

1453
00:37:22,867 --> 00:37:23,967
WHAT?

1454
00:37:23,967 --> 00:37:24,733
I'LL SEND YOU BACK TO THE

1455
00:37:24,733 --> 00:37:25,400
STRIP CLUB.

1456
00:37:25,400 --> 00:37:26,067
AH, [bleep], YOU SEND

1457
00:37:26,067 --> 00:37:27,567
YOURSELF BACK TO GO PIMPING.

1458
00:37:27,567 --> 00:37:29,600
BITCH.

1459
00:37:29,600 --> 00:37:30,900
DON'T--DON'T [bleep] PLAY

1460
00:37:30,900 --> 00:37:32,333
WITH ME.

1461
00:37:32,333 --> 00:37:33,200
WHY YOU [bleep] WITH ME?

1462
00:37:33,200 --> 00:37:34,067
GO GET YOUR BITCH.

1463
00:37:34,067 --> 00:37:35,133
GET YOUR BITCH.

1464
00:37:35,133 --> 00:37:35,867
OR WHAT?

1465
00:37:35,867 --> 00:37:36,667
I DON'T WANT TO TALK TO YOU

1466
00:37:36,667 --> 00:37:37,333
ANYMORE.

1467
00:37:37,333 --> 00:37:38,300
WHAT WE HAVE IS OVER.

1468
00:37:38,300 --> 00:37:40,067
BYE.

1469
00:37:40,067 --> 00:37:41,100
YOU KNOW WHAT YOU TELL ME?

1470
00:37:41,100 --> 00:37:42,567
"I GAVE YOU YOUR LIFE."

1471
00:37:42,567 --> 00:37:43,900
OKAY, IF YOU GAVE ME MY LIFE,

1472
00:37:43,900 --> 00:37:45,133
IF YOU GONNA TAKE IT BACK EVERY

1473
00:37:45,133 --> 00:37:46,467
CHANCE YOU GET, I DON'T NEED YOU

1474
00:37:46,467 --> 00:37:52,167
TO GIVE ME NO [bleep] LIFE.

1475
00:37:52,167 --> 00:37:53,700
JOSELINE.

1476
00:37:53,700 --> 00:37:54,700
WHY IS YOU COMING BACK HERE

1477
00:37:54,700 --> 00:37:55,367
AND TALKING TO ME?

1478
00:37:55,367 --> 00:37:56,633
WHY?

1479
00:37:56,633 --> 00:37:57,633
I DON'T WANT TO TALK TO YOU.

1480
00:37:57,633 --> 00:37:58,333
I DON'T GIVE A [bleep]

1481
00:37:58,333 --> 00:37:59,500
WHETHER YOU WANT TO TALK OR NOT.

1482
00:37:59,500 --> 00:38:00,600
GET YOUR [bleep] HANDS OUT

1483
00:38:00,600 --> 00:38:01,700
OF MY--AND I'M PREGNANT.

1484
00:38:01,700 --> 00:38:02,533
YOU'RE FINISHED.

1485
00:38:02,533 --> 00:38:03,433
FOR REAL?

1486
00:38:03,433 --> 00:38:04,133
I'M FINISHED?

1487
00:38:04,133 --> 00:38:05,367
WHAT, YOU THREATENING ME NOW?

1488
00:38:05,367 --> 00:38:06,367
THIS IS ALL YOU DO.

1489
00:38:06,367 --> 00:38:07,067
I GOT PAPERWORK ON YOU.

1490
00:38:07,067 --> 00:38:07,967
"DON'T SAY THIS,

1491
00:38:07,967 --> 00:38:09,633
OR THIS IS WHAT'S GONNA HAPPEN."

1492
00:38:09,633 --> 00:38:10,667
I'M TIRED OF FOLLOWING BY YOUR

1493
00:38:10,667 --> 00:38:11,433
RULES.

1494
00:38:11,433 --> 00:38:12,800
I DON'T PUT NO RULES ON YOU.

1495
00:38:12,800 --> 00:38:14,367
I'M TIRED OF YOU

1496
00:38:14,367 --> 00:38:15,100
CONTROLLING ME.

1497
00:38:15,100 --> 00:38:16,067
THAT'S NOT GONNA HAPPEN NO MORE.

1498
00:38:16,067 --> 00:38:16,667
CONTROL YOU?

1499
00:38:16,667 --> 00:38:17,367
HOW DO I CONTROL YOU?

1500
00:38:17,367 --> 00:38:18,133
STEVIE, PLEASE.

1501
00:38:18,133 --> 00:38:19,567
HE TOLD ME THAT IF IT WASN'T HIS

1502
00:38:19,567 --> 00:38:21,100
WAY, I WASN'T GONNA BE IN THE

1503
00:38:21,100 --> 00:38:21,933
INDUSTRY.

1504
00:38:21,933 --> 00:38:23,400
WHAT WAS I SUPPOSED TO BELIEVE?

1505
00:38:23,400 --> 00:38:24,700
I WAS ONLY 24.

1506
00:38:24,700 --> 00:38:26,867
AND NOW I KNOW BETTER.

1507
00:38:26,867 --> 00:38:28,067
SO IF STEVIE WANTS TO [bleep]

1508
00:38:28,067 --> 00:38:29,200
WITH ME, WE JUST CAN'T WORK

1509
00:38:29,200 --> 00:38:30,267
TOGETHER.

1510
00:38:30,267 --> 00:38:30,967
ALL RIGHT.

1511
00:38:30,967 --> 00:38:32,333
SO HOW WE GONNA HANDLE OUR

1512
00:38:32,333 --> 00:38:33,067
BUSINESS?

1513
00:38:33,067 --> 00:38:33,867
YOU KNOW YOU STILL GOT BUSINESS

1514
00:38:33,867 --> 00:38:34,533
WITH ME, RIGHT?

1515
00:38:34,533 --> 00:38:35,400
WE GONNA HANDLE IT WHEN WE

1516
00:38:35,400 --> 00:38:36,100
GOT TO HANDLE IT.

1517
00:38:36,100 --> 00:38:36,933
WHAT YOU MEAN?

1518
00:38:36,933 --> 00:38:37,667
I DON'T KNOW WHAT YOU MEAN.

1519
00:38:37,667 --> 00:38:39,367
WHAT I JUST SAID.

1520
00:38:39,367 --> 00:38:40,067
HUH?

1521
00:38:40,067 --> 00:38:40,967
YOU TELLING ME [bleep] WITH ME?

1522
00:38:40,967 --> 00:38:41,900
THAT'S WHAT YOU TELLING ME?

1523
00:38:41,900 --> 00:38:43,733
FOR WHAT I DID FOR YOU, YOU

1524
00:38:43,733 --> 00:38:44,400
TELLING ME--

1525
00:38:44,400 --> 00:38:45,233
YOU AIN'T DO NOTHING FOR ME,

1526
00:38:45,233 --> 00:38:45,967
BECAUSE EVERY TIME YOU GOT

1527
00:38:45,967 --> 00:38:46,667
A CHANCE, YOU--

1528
00:38:46,667 --> 00:38:47,567
I AIN'T DO NOTHING FOR YOU?

1529
00:38:47,567 --> 00:38:48,267
NOTHING.

1530
00:38:48,267 --> 00:38:49,067
I GAVE YOU ANOTHER LIFE.

1531
00:38:49,067 --> 00:38:50,733
ALL YOU DO IS TELL ME, WHEN

1532
00:38:50,733 --> 00:38:51,733
I DON'T DO WHAT YOU SAY,

1533
00:38:51,733 --> 00:38:52,667
"OH, I'M GONNA SEND YOU BACK TO

1534
00:38:52,667 --> 00:38:53,333
THE STRIP CLUB."

1535
00:38:53,333 --> 00:38:54,167
YOU KNOW WHAT YOU TELL ME?

1536
00:38:54,167 --> 00:38:55,500
"I GAVE YOU YOUR LIFE."

1537
00:38:55,500 --> 00:38:56,800
OKAY, IF YOU GAVE ME MY LIFE,

1538
00:38:56,800 --> 00:38:57,967
IF YOU GONNA TAKE IT BACK EVERY

1539
00:38:57,967 --> 00:38:59,367
CHANCE YOU GET, I DON'T NEED YOU

1540
00:38:59,367 --> 00:39:00,833
TO GIVE ME NO [bleep] LIFE.

1541
00:39:00,833 --> 00:39:01,833
YOU SAY THAT [bleep] EVERY TIME

1542
00:39:01,833 --> 00:39:02,500
YOU GET MAD.

1543
00:39:02,500 --> 00:39:03,167
JOSELINE, STOP.

1544
00:39:03,167 --> 00:39:03,933
AND EVERY TIME SOMETHING

1545
00:39:03,933 --> 00:39:04,767
DON'T GO YOUR WAY, THE FIRST

1546
00:39:04,767 --> 00:39:05,767
THING YOU SAY IS, "I'M GONNA

1547
00:39:05,767 --> 00:39:06,600
SEND YOU BACK TO THE [bleep]

1548
00:39:06,600 --> 00:39:07,267
STRIP CLUB."

1549
00:39:07,267 --> 00:39:08,100
YOU WILL NEVER SEND ME BACK

1550
00:39:08,100 --> 00:39:09,267
TO THE STRIP CLUB, 'CAUSE I'M

1551
00:39:09,267 --> 00:39:09,933
NOT GOING BACK.

1552
00:39:09,933 --> 00:39:10,767
AND I DON'T WANT YOU TO GO

1553
00:39:10,767 --> 00:39:11,433
BACK.

1554
00:39:11,433 --> 00:39:12,133
I'M NOT--YES, YOU DO.

1555
00:39:12,133 --> 00:39:12,800
NO, I DON'T.

1556
00:39:12,800 --> 00:39:13,600
YES, YOU DO, BECAUSE YOU

1557
00:39:13,600 --> 00:39:14,467
LIKE TO TALK TO BITCHES ANY TYPE

1558
00:39:14,467 --> 00:39:15,133
OF WAY.

1559
00:39:15,133 --> 00:39:16,267
AND YOU LIKE DOGGING BITCHES,

1560
00:39:16,267 --> 00:39:17,067
BUT I'M NOT GONNA LET YOU DO ME

1561
00:39:17,067 --> 00:39:17,733
LIKE THAT.

1562
00:39:17,733 --> 00:39:18,400
I DOGGED YOU OUT?

1563
00:39:18,400 --> 00:39:19,367
YES, YOU DON'T REMEMBER WHAT

1564
00:39:19,367 --> 00:39:20,067
YOU TELL ME.

1565
00:39:20,067 --> 00:39:21,100
YOU DON'T REMEMBER WHAT YOU DO.

1566
00:39:21,100 --> 00:39:22,200
EVERYTHING THAT YOU DO IS A

1567
00:39:22,200 --> 00:39:23,267
[bleep] LIE.

1568
00:39:23,267 --> 00:39:24,133
YOU ARE A [bleep] PIECE OF

1569
00:39:24,133 --> 00:39:24,800
[bleep].

1570
00:39:24,800 --> 00:39:25,633
WATCH YOUR MOUTH.

1571
00:39:25,633 --> 00:39:26,433
I DON'T WANT TO TALK TO YOU

1572
00:39:26,433 --> 00:39:27,100
NO MORE.

1573
00:39:27,100 --> 00:39:27,767
BE A LADY.

1574
00:39:27,767 --> 00:39:28,467
YOU KNOW WHAT I'M SAYING?

1575
00:39:28,467 --> 00:39:29,133
BE A LADY.

1576
00:39:29,133 --> 00:39:29,967
I DON'T WANT TO TALK TO YOU

1577
00:39:29,967 --> 00:39:30,700
NO MORE.

1578
00:39:30,700 --> 00:39:32,700
I'M DONE TALKING TO YOU.

1579
00:39:36,700 --> 00:39:37,467
YOU'LL NEVER BE FINISHED

1580
00:39:37,467 --> 00:39:40,467
TALKING TO ME.

1581
00:39:40,467 --> 00:39:42,667
UNDERSTAND THAT.

1582
00:39:42,667 --> 00:39:43,967
AND WATCH HOW YOU SPEAK TO ME,

1583
00:39:43,967 --> 00:39:46,200
JOSELINE.

1584
00:39:46,200 --> 00:39:48,200
YOU LOOK NICE, BY THE WAY.

1585
00:40:02,467 --> 00:40:03,533
ON THE NEXT LOVE and HIP-HOP:

1586
00:40:03,533 --> 00:40:04,467
ATLANTA...

1587
00:40:04,467 --> 00:40:05,367
YOU GOT TO KEEP YOUR [bleep]

1588
00:40:05,367 --> 00:40:06,267
[bleep] IN YOUR PANTS.

1589
00:40:06,267 --> 00:40:07,400
I'M SORRY.

1590
00:40:07,400 --> 00:40:08,500
I MADE A MISTAKE.

1591
00:40:08,500 --> 00:40:09,500
DID YOU TELL HER THAT?

1592
00:40:09,500 --> 00:40:10,467
I DIDN'T [bleep] NOBODY AND

1593
00:40:10,467 --> 00:40:12,067
GET 'EM PREGNANT; YOU DID.

1594
00:40:12,067 --> 00:40:13,033
YOU WANT A [bleep] SLUT-ASS

1595
00:40:13,033 --> 00:40:15,033
BITCH, YOU GO DO THAT.

1596
00:40:15,033 --> 00:40:16,200
HAVE YOU EVER REALLY LOVED

1597
00:40:16,200 --> 00:40:20,000
ME, STEVIE?

1598
00:40:20,000 --> 00:40:22,500
DO YOU LOVE ME?

1599
00:40:22,500 --> 00:40:23,433
HOW ARE THINGS GOING WITH YOU

1600
00:40:23,433 --> 00:40:24,100
AND SCRAP?

1601
00:40:24,100 --> 00:40:25,167
WE'RE MOVING FORWARD.

1602
00:40:25,167 --> 00:40:26,100
AND WE'RE HAPPY.

1603
00:40:26,100 --> 00:40:27,233
PUT SOME OF THIS ON ME,

1604
00:40:27,233 --> 00:40:27,900
PLEASE?

1605
00:40:27,900 --> 00:40:28,867
REALLY?

1606
00:40:28,867 --> 00:40:31,900
YOU KNOW YOU WANT TO.

1607
00:40:31,900 --> 00:40:33,067
IT'S ME WORKING ON YOU.

1608
00:40:33,067 --> 00:40:34,267
YOU WORKING ON ME.

1609
00:40:34,267 --> 00:40:36,200
AND IN THE END, I'M GONNA HAVE

1610
00:40:36,200 --> 00:40:36,900
A RING.

1611
00:40:36,900 --> 00:40:38,400
ERICA GOT INTO IT WITH A DUDE

1612
00:40:38,400 --> 00:40:39,633
NAMED STEVIE J.

1613
00:40:39,633 --> 00:40:40,667
GO AT HIM.

1614
00:40:40,667 --> 00:40:42,633
MAKE HIM ANSWER.

1615
00:40:42,633 --> 00:40:45,733
CHECK HIM.

1616
00:40:45,733 --> 00:40:46,567
THAT'S HIM, RIGHT THERE.

1617
00:40:46,567 --> 00:40:47,633
IF I CUSSED YOUR [bleep] OUT

1618
00:40:47,633 --> 00:40:48,533
RIGHT NOW--IF I CUSSED--

1619
00:40:48,533 --> 00:40:49,200
WELL, WAIT A MINUTE.

1620
00:40:49,200 --> 00:40:49,867
WHAT'S THE PROBLEM?

1621
00:40:49,867 --> 00:40:50,533
WHO ARE YOU?

1622
00:40:50,533 --> 00:40:51,267
GET IN THE CAR.

1623
00:40:51,267 --> 00:40:52,633
BITCH, LEAVE!

1624
00:40:52,633 --> 00:40:53,300
COME HERE!

1625
00:40:53,300 --> 00:40:53,967
SCRAPPY!

1626
00:40:53,967 --> 00:40:55,867
DON'T DO IT!

1627
00:40:55,867 --> 00:40:58,967
HEY, SCRAP--

1628
00:40:58,967 --> 00:41:01,067
[bleep].